A work in constant progress (and occasional regress).
Release Date:
February 11, 2013
Original Title:
The Path: Beyond the Physical
Ratings / Certifications:
N/A
Runtime: 93
The Path: Beyond the Physical investigates topics about out-of-body experiences, multiple-dimensions, remote viewing and consciousness. The 93 minute film takes the audience through a journey of some of the first explorers of out-of-body experiences like Robert Monroe, to the once classified military mission of remote viewing, as well as educating the audience about tools they can use to enhance the out-of-body experiences. The Path Documentary Series will be showcasing the knowledge of many experts like the former President and Executive Director of the Monroe Institute in Faber, VA, a nonprofit educational and research organization dedicated to the exploration of human consciousness, leading out-of-body expert William Buhlman and a NASA nuclear physicist, noted lecturer and explorer of consciousness Thomas Campbell.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.