A work in constant progress (and occasional regress).
Release Date:
February 1, 1988
Original Title:
Hauři
Alternate Titles:
The Reckless Fellows
Genres:
Drama
Production Companies:
Filmové studio Barrandov
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Building themes, however modified, permeated the nationalised cinema throughout its existence. This time, director Július Matula has focused on a young engineer who, with high hopes, accepts a position in a famous agricultural cooperative. However, he soon discovers that behind the proclaimed phrases there is in fact hypocrisy and protectionism. The authors criticise the fact that incompetence is often covered up, that shortcomings end up being cleverly camouflaged, that the social mood favours the mediocre and the adaptable. The hauers present a statement that is courageous, so to speak, within the limits of the law, and call for increased work consciousness.
Assistant Camera:
Roman Pavlíček
Emil Hora
Assistant Editor:
Ruth Kubalíková
Erika Vojáčková
Assistant Production Design:
Libuše Jahodová
Assistant Production Manager:
Karel Vávra
Václav Šeda
Camera Operator:
Petr Hojda
Clapper Loader:
Ivana Vlčková
Costume Design:
Marta Kaplerová
Costumer:
Marie Charvátová
Bronislava Novotná
Věra Mírová
Lenka Tauferová
Creative Producer:
Jiří Blažek
Director:
Julius Matula
Director of Photography:
Jiří Macháně
Dramaturgy:
Sonja Kroupová
Editor:
Dalibor Lipský
First Assistant Director:
Věra Pištěková
Makeup & Hair:
Milan Novák
Jiří Farkaš
Jiřina Pahlerová
Music Arranger:
Julius Matula
Dalibor Lipský
Novel:
Stanislav Vácha
Production Design:
Karel Lier
Production Manager:
Jan Syrový
Screenplay:
Julius Matula
Miroslav Vaic
Script Supervisor:
Ivana Malíková
Second Assistant Director:
Stanislav Čumbál Rovný
Set Decoration:
Zdeněk Jeřábek
Rudolf Kinský
Dana Smržová
Sound:
Adolf Böhm
Still Photographer:
Karel Ješátko
Unit Production Manager:
Lev Veltrubský
Jana Hauserová
Helena Landovská
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.