A work in constant progress (and occasional regress).
Release Date:
October 22, 2021
Original Title:
Enviado para falsear
Genres:
Documentary
Production Companies:
Gentil
Yagua Pirú Cine
Production Countries:
Argentina
Ratings / Certifications:
N/A
Runtime: 6
Three films reflecting upon the way in which image and speech control relate to one another. Dallas is a Fire exposes the racist speech in the archives of the Dallas TV in 1970. Sent to Lie investigates the surveillance methods applied to the Qom indigenous community with the argument of preventing COVID-19. In Non-Stop, there’s an attempt to build over history and beyond the inaccessible images
Associate Producer:
Eugenia Campos Guevara
Camera Operator:
Maia Navas
Cinematography:
Maia Navas
Director:
Maia Navas
Editor:
Maia Navas
Producer:
Maia Navas
Clarisa Navas
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.