A work in constant progress (and occasional regress).
Original Title:
Love in Idleness
Ratings / Certifications:
N/A
Runtime: 4
Love in Idleness it is a short animated film exploring the fleeting delusional love relationship between Titania and Bottom. The film focuses on the transformation and transfiguration of the two characters in the act of a frantic lovemaking. Scratchy animated lines, morphed body parts, fragments of flesh intersect and crash together into the rhythmical act performed by the deluded donkey and the tricked woman. There is no story, no time and no roles: only raw emotions and sensations. The film is made with charcoal on paper; the images are a series of drawings constantly erased and retraced. Funded by Film London Artists’ Moving Image Network and King’s College London in association with Film Club Productions.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.