A work in constant progress (and occasional regress).
Release Date:
February 28, 2008
Original Title:
The Bank Job
Alternate Titles:
Angielska robota
Braquage à l'anglaise
Efeito Dominó
El gran golpe
Pankkikeikka
Vol de banque
თავდასხმა ბანკზე
ძარცვა ბეიკერ – სთრითზე
Genres:
Crime | Drama | Thriller
Production Companies:
Arclight Films
Atlas Entertainment
Lionsgate
Mosaic Media Group
Omnilab Media
Relativity Media
Skyline (Baker St)
Production Countries:
Australia | United Kingdom | United States of America
Ratings / Certifications:
AT: 12 AU: MA15+ BR: 16 CA: 14A CH: 12 DE: 12 FI: K-15 FR: 12 GB: 15 GR: 15 HU: 16 IE: 16 JP: R18+ NL: 16 NO: 15 PL: 18 PT: M/16 SE: 15 SK: 15 US: R
Runtime: 112
Terry is a small-time car dealer trying to leave his shady past behind and start a family. Martine is a beautiful model from Terry's old neighbourhood who knows that Terry is no angel. When Martine proposes a foolproof plan to rob a bank, Terry recognises the danger but realises this may be the opportunity of a lifetime. As the resourceful band of thieves burrows its way into a safe-deposit vault at a Lloyds Bank, they quickly realise that, besides millions in riches, the boxes also contain secrets that implicate everyone from London's most notorious underworld gangsters to powerful government figures, and even the Royal Family. Although the heist makes headlines throughout Britain for several days, a government gag order eventually brings all reporting of the case to an immediate halt.
ADR Coordinator:
Lionel Strutt
ADR Mixer:
Jonathan Rimas
Peter Gleaves
Alan Freedman
ADR Recordist:
Rachael Tate
Additional Second Assistant Director:
Michael Stevenson
Armorer:
Nick Jeffries
Scott Warwick
Art Department Assistant:
Hannah Read
Louise Begbie
Art Department Coordinator:
Pippa Sheen
Art Direction:
Mark Scruton
Assistant Accountant:
Tracey Taylor
Assistant Art Director:
Richard Selway
Assistant Costume Designer:
Sharon Long
Assistant Production Coordinator:
Hollie Foster
Assistant Sound Editor:
Kieran McVeigh
Boom Operator:
Robin Johnson
Simon Bysshe
Camera Operator:
Stuart Howell
Chris Plevin
Chas Bain
Martin Hume
Tim Wooster
Casting:
Lucinda Syson
Casting Assistant:
Kate Ringsell
Construction Manager:
Robert Voysey
Malcolm Roberts
Costume Assistant:
Anthony Brookman
Yvonne Otzen
Costume Design:
Odile Dicks-Mireaux
Costume Supervisor:
Marion Weise
Costumer:
Julie Barton
Dialogue Editor:
James Harvey
Digital Intermediate:
Nic Smith
Tony Poriazis
Digital Intermediate Colorist:
Justin Heitman
Director:
Roger Donaldson
Director of Photography:
Michael Coulter
Karl von Moller
Dolby Consultant:
Bruce Emery
Draughtsman:
Wilson Du
Editor:
John Gilbert
Electrician:
Richard Mason
Executive Producer:
Alan Glazer
Alex Gartner
Scott Fischer
Christopher Mapp
George McIndoe
David Alper
Gary Hamilton
David Whealy
Ryan Kavanaugh
Matthew Street
First Assistant "A" Camera:
Julian Bucknall
First Assistant "B" Camera:
John Ferguson
First Assistant Accountant:
Daniel Budd
First Assistant Camera:
Andrew Jerram
First Assistant Director:
Luigi Spoletini
Josh Robertson
Lee Grumett
Matthew Baker
Brendan Campbell
First Assistant Editor:
Ruth Coulson
Amelia Ford
Floor Runner:
Kate Brontë-Stewart
Foley Artist:
Mario Vaccaro
Foley Editor:
Blair Slater
Gaffer:
Terry Edland
Graphic Designer:
Laura Dishington
Grip:
Luke Myslowski
Hair Designer:
Kirstin Chalmers
Hair Supervisor:
Heather Ross
Hairdresser:
Jodie Hellingman
Hairstylist:
Massimo Gattabrusi
Key Grip:
Peter Myslowski
Key Hair Stylist:
Donald McInnes
Sharon O'Brien
Key Makeup Artist:
Sharon O'Brien
Lead Animator:
Paul Buckley
Line Producer:
Pete Ford
Luigi Desole
Location Manager:
Giles Edleston
Makeup & Hair Assistant:
Helene Glover
Makeup Artist:
Carla Vicenzino
Laura McIntosh
Makeup Designer:
Heather Ross
Music Consultant:
Kim Green
Music Editor:
Simon Leadley
Music Programmer:
Edward Rogers
Online Editor:
George Awburn
Original Music Composer:
J. Peter Robinson
Post Production Supervisor:
Marc van Buuren
Producer:
Charles Roven
Steven Chasman
Aaron Shuster
Mairi Bett
Production Coordinator:
Natalia Pizzey
Polly Jefferies
Production Design:
Gavin Bocquet
Production Executive:
Peter Block
Production Manager:
Sasha Harris
Production Sound Mixer:
Simon Hayes
Property Master:
Nick Turnbull
Props:
Paul Hearn
Prosthetics:
Waldo Mason
Researcher:
Celia Barnett
Rigging Gaffer:
Tony Hayes
Screenplay:
Ian La Frenais
Dick Clement
Script Editor:
Mark Thomas
Script Supervisor:
Sylvia Parker
Polly Hope
Susie Struth
Second Assistant "A" Camera:
Luke Coulter
Second Assistant "B" Camera:
Ray Meere
Second Unit Director of Photography:
Mike Brewster
Set Decoration:
Mark Scruton
Set Dresser:
Amelia Marasco
Sound Effects Editor:
Steve Burgess
Peter Mills
Sound Re-Recording Mixer:
Andrew Neil
Paul Pirola
Sound Recordist:
John McKerrow
Special Effects Coordinator:
Brian Holmes
Special Effects Technician:
Neil Toddy Todd
Daniel Williams
Stand In:
Philip Ball
Standby Art Director:
Ben Collins
Still Photographer:
Jack English
Storyboard Artist:
Nick Pelham
Stunt Coordinator:
Greg Powell
Supervising Art Director:
Phil Harvey
Supervising Sound Effects Editor:
Andrew Neil
Title Designer:
Nathan Bayliss
Unit Publicist:
Graham Smith
Visual Effects Producer:
Ineke Majoor
Visual Effects Supervisor:
David Booth
Peter Webb
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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