A work in constant progress (and occasional regress).
Release Date:
May 8, 2020
Original Title:
Dispatches From a Simulated Warzone
Genres:
Documentary
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 5
This film investigates the serious play of historical reenactments and their quest to tap into what has been referred to as “magic moments” or “period rushes." These brief flashes are moments of embodied, performance-induced spatial and temporal blurring that allow the reenactor to feel as if they are within the place and time that they are portraying. How might these living history events act as reverent rituals to evoke and honor the memory of constructed socio-political ancestors?
Director:
Taylor Genovese
Director of Photography:
Taylor Genovese
Editor:
Can Tamura
Taylor Genovese
Writer:
Taylor Genovese
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.