A work in constant progress (and occasional regress).
Release Date:
September 25, 2021
Original Title:
Trésors de Mésopotamie : Des archéologues face à Daech
Alternate Titles:
Mesopotamien - Archäologen retten, was zu retten ist
Genres:
Documentary
Production Companies:
ARTE
Les Films Grain de Sable
Need Productions
RTBF
TV Only
Production Countries:
Belgium | France
Ratings / Certifications:
N/A
Runtime: 95
At 63, Jawad Bashara has spent more than half his life in exile. But when Islamic State troops set out to obliterate the Sumerian origins of our civilization, he decided to return to Iraq and take action. With renowned archaeologists and 3D technicians from all over the world, he is redoing the path that brought mankind into history, 3500 years before Christ. In order to better safeguard and share it, they have set themselves the mission of immortalizing our common heritage in 3D and virtual reality.
Animation:
Jean-Baptiste Delorme
Thomas Duquet
Frédéric Cordier
Camera Operator:
Lionel Jan Kerguistel
Bayan Nabeel
Color Grading:
Pierre Choqueux
Director:
Salah-Eddine Ben Jamaa
Ivan Erhel
Jean-Christophe Vaguelsy
Pascal Cuissot
Director of Photography:
Salah-Eddine Ben Jamaa
Editor:
Davide Morandini
Olivier Borgo
Philippe Boucq
Matyas Veress
Original Music Composer:
Alice Vande Voorde
Mathieu Dupont
Producer:
Séverin Delpon
Salah-Eddine Ben Jamaa
Anne-Laure Guégan
Géraldine Sprimont
Screenplay:
Ivan Erhel
Jean-Christophe Vaguelsy
Salah-Eddine Ben Jamaa
Pascal Cuissot
Caroline Vermalle
Sound:
Muslim Habeeb
Murty Faisal
Sound Engineer:
Ivan Erhel
Sound Mixer:
Jean-Michel Beranger
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.