A work in constant progress (and occasional regress).
Release Date:
April 23, 2016
Original Title:
Aunque tú no lo sepas: la poesía de Luis García Montero
Alternate Titles:
Imprescindibles – Aunque tú no lo sepas: la poesía de Luis García Montero
Genres:
Documentary
Production Companies:
Canal Sur
Por Amor al Arte Producciones
TVE
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 71
An account of the life and work of the Spanish poet Luis García Montero; a journey through his experiences, his mentors, his influences and his contact with other artists, both from the literary world and from other disciplines.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Camera Operator:
Luis Heras
Bienve Valdivia
Javier Ordóñez
Color Grading:
Bienve Valdivia
Commissioning Editor:
Elena Albadalejo
Director:
Charlie Arnaiz
Alberto Ortega
Director of Photography:
Alberto Ortega
Editor:
Emilio González
Executive Producer:
Charlie Arnaiz
Andrés Luque
Graphic Designer:
Alberto Ortega
Tito Merello
Juan Vida
Makeup Artist:
África M. Bouzas
Original Music Composer:
Vicente Carrasco
Post Production Supervisor:
Alberto Ortega
Production Design:
Mami Meraki
Production Director:
Charlie Arnaiz
Researcher:
Alberto Ortega
Charlie Arnaiz
Sound:
Ignacio Román Muñoz
Sound Assistant:
Rares D. Varga
Sound Mixer:
Raúl Lasvignes
Ignacio Román Muñoz
Sound Post Supervisor:
Ignacio Román Muñoz
Steadicam Operator:
José María Mitchell
Still Photographer:
Roberto Durán
Writer:
Charlie Arnaiz
Alberto Ortega
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.