A work in constant progress (and occasional regress).
Release Date:
September 1, 2020
Original Title:
The Last Observer
Ratings / Certifications:
N/A
Runtime: 11
The Last Observer is a film from beyond the future and the past merged together. We are talking about a new world in which plants and technology dominate, where we can finally know what a plant has to say. After all human life has disappeared from Earth, a bored artificial intuition connects to non-human life. A plant is having a recurring dream about a 'last observer' and recounts this strange dream in a dystopian narrative. All the components of the film take us on a journey through time. The pairing of the images of a speculative future shot with Super 8, a format from the past, creates a contemplative and rather endearing environment that throws us directly into reflections around artificial intelligence, anthropocentrism, and self projections.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.