A work in constant progress (and occasional regress).
Release Date:
July 13, 1995
Original Title:
Beyond Desire
Alternate Titles:
The Last American Elvis
Genres:
Action | Thriller
Production Companies:
Beyond Pictures
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 87
Rita is a sexy call girl in a red Corvette convertible who just met Ray. Ray is an ex-con just released after serving 14 years for a killing he claims he was framed for. When these two get together, sparks fly and temperatures rise. But Ray has a reason not to trust Rita - $1 million has been stashed somewhere in Las Vegas and Ray knows everyone wants it almost as much as they want him dead. When everyone has a hidden agenda, who do you trust?
Art Direction:
Don McAllister
Assistant Costume Designer:
Ann Christman
Assistant Editor:
Ed Santiago
Camera Operator:
Sven Kirsten
Casting:
Bob Morones
Costume Design:
Jillian Kreiner
Dialogue Editor:
Bruce Murphy
Director:
Dominique Othenin-Girard
Director of Photography:
Sven Kirsten
Editor:
Daniel Duncan
Executive Producer:
Frank Cinelli
William Forsythe
Foley Artist:
Deanie Kepner
Key Makeup Artist:
Ania Harasimiak
Line Producer:
Ed Cathell III
Makeup Artist:
Jim Sacca Jr.
Original Music Composer:
Mark Holden
Producer:
Frank Cinelli
Script Supervisor:
Mimi Baker
Set Decoration:
Courtney Jackson
Special Effects Coordinator:
David J. Barker
Stunt Coordinator:
Greg Anderson
Stunts:
Debbie Lynn Ross
Writer:
Dale Trevillion
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.