A work in constant progress (and occasional regress).
Release Date:
April 2, 2021
Original Title:
セクシータイム・リバース
Alternate Titles:
セクシータイム・リバース 魅惑のボディと時をかける快感
Genres:
Drama
Production Companies:
Takeshobo
Production Countries:
Japan
Ratings / Certifications:
N/A
Runtime: 86
Hitman Yusaku, who had been inside the fence for the group, finished his sentence and returned to his girlfriend Mai. He's a hot hug and caress, but there's something Yusaku has to do. To Tetsuya Hikawa, the de facto leader of the Nawakai, who has become a business group that earns money through fraud from armed groups during his sentence. The times are different from those days. Yusaku is forced to choose whether to separate from Nawakai or to become Tetsuya's right arm. It was Yusaku who got a pistol and walked while worried, but the thugs who appeared there. It was a heroic work that fell into a bullet, but when I woke up, a naked dance was lying next to me. Time was back on that day when the source was greeted. I have pain and memory. Where and what is wrong and what is the trigger for time leap? Repeated lust and conflict, Hitman's reverse life begins again.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.