A work in constant progress (and occasional regress).
Release Date:
April 23, 2022
Original Title:
A Tail of Love
Alternate Titles:
A Dog Named Indie
Love Rescued
Genres:
Comedy | Romance | TV Movie
Production Companies:
Leif Films
Production Countries:
Canada | United States of America
Ratings / Certifications:
BE: AL SK: 12 US: G
Runtime: 84
When Bella discovers that funding for her dog rescue centre is discontinued, she turns to JR, a soldier who quickly becomes attached to one of her rescues, a German Shepard named, Indie.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Daniel Abboud
"B" Camera Operator:
Ryan Mariotti
ADR Recordist:
Ehren Pfiefer
Animal Coordinator:
Lesley Laurence
Animal Wrangler:
Lyndsey Matthews
Art Direction:
Richelle Wilks
Assistant Location Manager:
Melissa Villeneuve
Assistant Production Coordinator:
Lari Teras
Associate Producer:
Maddy Falle
Background Casting Director:
Ainslie S. Wiggs
Best Boy Electric:
Campbell Leavitt
Best Boy Grip:
Eric St. George
Boom Operator:
Patrick Dal Cin
Camera Trainee:
Rachelle Tiessen
Casting:
Jon Comerford
Construction Coordinator:
Bill Whalley
Costume Design:
Alisa Krost
Costume Set Supervisor:
Cathy Vezina
Dialogue Editor:
Susan Conley
Director:
Leif Bristow
Director of Photography:
Russ Goozee
Drone Operator:
Ryan Mariotti
Editor:
Nick Montgomery
Hugh Elchuk
Electrician:
Riad Hamidi
Kyle Hodges
Executive Producer:
Michael A. McLaughlin
Leif Bristow
Rick Garman
Danny Webber
Mark Gringas
Joe Wang
First Assistant "A" Camera:
Michael Potts
First Assistant "B" Camera:
Jonna Bouliane
First Assistant Accountant:
Keith Kanhai
First Assistant Art Direction:
Colin Davis
Stephanie Collins
First Assistant Director:
Lee Kesterberg
First Assistant Editor:
Nick Montgomery
Gaffer:
Devon Chytil
Generator Operator:
Dwight Dudgeon
Grip:
Malcolm Fischer
Fabian Paquette-Grimes
Hair Department Head:
Amanda Jackson
Key Grip:
Shane Kirkpatrick
Key Hair Stylist:
Tiffany Jones
Key Makeup Artist:
Nicole Pilon
Lead Set Dresser:
Dave McClellan
Location Assistant:
Jack Jeff Gilbert
Cory Hughes
Location Manager:
Patricia Philipopoulos
Quincy Morgan
Makeup Department Head:
Staceylee Estabrooks
Original Music Composer:
James Mark Stewart
Payroll Accountant:
Jocelyn Lacroix
Producer:
Agnes Bristow
Borga Dorter
Production Accountant:
Joe Domotor
Production Coordinator:
John Petti
Production Design:
Sean Breaugh
Property Master:
Eric Robillard
Props:
Stacey Dufoe
Script Supervisor:
Julia Stan
Second Assistant Camera:
Farhan Niloy
Second Assistant Director:
Jeremy Curry
Set Decoration:
Karen Churma
Set Dresser:
Colton Chalkey
Sound Effects Editor:
Noam Shpiegler
Sound Mixer:
Dylan Argument
Sound Re-Recording Assistant:
Lucas Cecchetti
Sound Re-Recording Mixer:
Stephen Traub
Shaun Gratto
Still Photographer:
Lindsay Sarazin
Story:
Kim Saltarski
Third Assistant Director:
James Kinnear
Transportation Captain:
Steve Gillard
Transportation Coordinator:
Leo Frappier
Truck Supervisor:
Lynn May
Visual Effects Coordinator:
Erin Hallford
Visual Effects Supervisor:
Kevin Pitts
Writer:
Richard Beattie
Agnes Bristow
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.