A work in constant progress (and occasional regress).
Release Date:
September 24, 2021
Original Title:
Semara
Production Companies:
satu frekuensi
Production Countries:
Indonesia
Ratings / Certifications:
N/A
Runtime: 20
Sari (26) comes into the life of Adi (28), a man who has been completely blind since birth, as a neighbor in the rented house he recently lived in. Sari always visits in the afternoon, to check on Adi's condition, who recently lived alone. Melted by Sari's attention, Adi wants to be able to see, wants to be with his girlfriend longer.
Art Direction:
Rio Kharisma
Assistant Art Director:
I Putu Adi Jaya
I Wayan Diana Putra
I Ketut Cahaya Sentana
I Kadek Galang Chandra Deva
Assistant Costume Designer:
Satrya Nayadhi
Assistant Makeup Artist:
Satrya Nayadhi
Assistant Sound Engineer:
Gede Bayu
Boom Operator:
Agung Aditya
Director:
Medy Mahasena
Director of Photography:
I Putu Andika Arya Pratama
Editor:
Dani SH
First Assistant Camera:
Hibatul Hakim
Gaffer:
Ida Bagus Wira Adi
Dwi Soekma Ipus
Graphic Designer:
Kenta Manggala
Lighting Artist:
I Putu Adi Satria
Sang Made Agus Wahyudi Putra
Ida Bagus Giri Semara Putra
Line Producer:
Made Setiawati
Makeup & Hair:
Sruja Pegiyanti
Music:
Fauzan Rahman
Music Supervision Assistant:
Rafid Ghadah Damarta
Producer:
Indira Larin
Production Design:
Rama Duta
Runner Art Department:
Supra Aditya
Script:
Ni Made Agung Ayu Chrisandewi Naraswari
Second Assistant Camera:
I Nyoman Gede Triyoga Prema Ananda
Sound Designer:
Suhartana
Sound Recordist:
Suhartana
Still Photographer:
Rahmat Putra Giantoro
Storyboard Artist:
Tudedink
Transportation Coordinator:
I Gusti Agung Malisky
Wardrobe Designer:
Sruja Pegiyanti
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.