A work in constant progress (and occasional regress).
Release Date:
November 6, 2021
Original Title:
Next Stop, Christmas
Genres:
Comedy | Drama | Fantasy | Romance | TV Movie
Production Companies:
Hallmark Channel
Hallmark Media
Production Countries:
United States of America
Ratings / Certifications:
US: G
Runtime: 84
Angie wonders what her life would be like if she had married a former boyfriend who became a famous sportscaster. She takes the train home to spend Christmas with her family and inexplicably finds herself 10 years in the past. With the advice of the train's enigmatic conductor, Angie has the chance to revisit that Christmas and learn what — and who — is truly important to her.
"B" Camera Operator:
Kyle Parsons
Additional Grip:
Nick Rooney
David Persaud
Additional Set Dresser:
Mark D'Agostino
Ed Adam
Mary Serkosky Carlson
Jeff Carlson
Shaira Maldonado
Art Department Coordinator:
Irena Hadzi Dordevic
Art Direction:
Jonathan Theriault
Assistant Costume Designer:
Allison Kirstukas
Assistant Editor:
Danielle Capri
Assistant Location Manager:
Chris Olney
Assistant Production Coordinator:
T.R. Cassese
Assistant Property Master:
Daisy Talley
Best Boy Electric:
Dante Haughton
Joe De Felice
Best Boy Grip:
Adam Reichardt
Boom Operator:
Joseph Quartararo
Andrew Litton
Cian Fitzgerald
Casting:
Penny Perry
Tracy Kilpatrick
Compositing Artist:
Burak Sekban
Humberto Paytuvi
Costume Designer:
Keith Nielsen
Dialogue Editor:
Ignacio Bonet
Digital Imaging Technician:
Max Slusky
Digital Intermediate Colorist:
James Honaker
Director:
Dustin Rikert
Director of Photography:
Michael Belcher
Drone Operator:
Colin Theys
Editor:
Bryan Capri
Electrician:
Kevin Coelho
Executive Producer:
Andrew Gernhard
First Assistant "A" Camera:
Sanae Ohno
First Assistant "B" Camera:
Aksa Arevalo
Jacob Norris
First Assistant Director:
Phillip Rush
First Assistant Editor:
Ryan Gay
Foley Artist:
Yuri Pridachin
Dmitriy Alexeev
Foley Editor:
Sergey Klimentovskiy
Slava Poboruev
Foley Mixer:
Natasha Selezneva
Vladimir Smagin
Foley Supervisor:
Yuri Pridachin
Gaffer:
Alberto Innella
Garland Berenzy
Derek Stalley
Grip:
Adam Cohen
Hair Department Head:
Paige Lyon
Hair Designer:
Jackie Zbuska
Hairstylist:
Lindsay Johnson
Key Grip:
Vinny Davino
Key Makeup Artist:
Averi Lee
Leadman:
Stanley L. Chen
Line Producer:
Devyn Isaacson
Location Manager:
Nicholas Moore
Makeup Artist:
Blaire Patterson
Makeup Designer:
Jackie Zbuska
Original Music Composer:
Tommy Fields
Post Production Supervisor:
Bryan Capri
Producer:
Colin Theys
Dustin Rikert
Production Coordinator:
Erika Svensson
Production Design:
Heidi Seidell
Production Sound Mixer:
Jose Ramirez
Joseph Quartararo
Property Master:
Daniel Koenig
Rotoscoping Artist:
Miguel Postigo
Script Supervisor:
Hector Jimenez
Second Assistant "A" Camera:
Paul Stenko
Second Assistant "B" Camera:
Tristan Clubb
Second Assistant Director:
Brien Slate
Set Costumer:
Sarah Scepansky
Set Decoration:
Katherine Horwich
Set Dresser:
Michael George Weber
Steven James Coelho
Sound Editor:
Eric Stern
Sound Re-Recording Mixer:
Brian Quill
Special Effects Coordinator:
Phil Gauvin
Special Effects Technician:
Keith Palmer
Mike Therion
Steadicam Operator:
Kyle Parsons
Still Photographer:
Robert Clark
Tailor:
Molly Morgan
Truck Costumer:
Spencer Swindon
VFX Artist:
Borko Panov
Eleazar Figueroa
Dmitry Molokovskikh
Manjeet Singh
Piotr Smorawski
Maria Recondo
Uygar Gürkan
Jorge Arista
Emir Karasakal
Visual Effects Producer:
Dustin Rikert
Elisa Logan
Visual Effects Supervisor:
Brandon Johnson
Wardrobe Supervisor:
Allison Kirstukas
Writer:
Kari Drake
Duane Poole
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.