A Ghost Story for Christmas: The Mezzotint (2021) [N/A]

Release Date:
December 24, 2021

Original Title:
A Ghost Story for Christmas: The Mezzotint

Genres:
Horror | TV Movie

Production Companies:
BBC
Can Do Productions

Production Countries:
United Kingdom

Ratings / Certifications:
 N/A

Runtime: 30

1923. In the heart of an old English college, Edward Williams receives an engraving of of an unknown country house with an imposing facade, a sweeping lawn - and, just perhaps, something else.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Art Department Assistant:
Emily Murayama
Joshua Brooks

Art Direction:
Sofia Sacomani

Assistant Camera:
Emma Friend
Georgina Cook

Assistant Director:
Will Wilkinson
Tamara King
Chris May

Assistant Editor:
Helena Beeson

Colorist:
Kevin Horsewood

Costume Assistant:
Ella Cordon

Costume Designer:
Claire Finlay

Costume Supervisor:
Helen Bolter

Director:
Mark Gatiss

Director of Photography:
Kieran McGuigan

Editor:
Josh Cunliffe

Electrician:
Graham Banks
David Tanner
Jon Slater

Executive Producer:
Ben Irving

Foley Artist:
Oliver Ferris

Foley Editor:
Sophia Hardman

Foley Mixer:
Adam Mendez

Gaffer:
Jon Tanner

Graphic Designer:
Richard Wells

Grip:
Kylie Stubbs

Health and Safety:
Mark Doree

Location Manager:
Jamie Lindsay

Makeup Artist:
Sam Broyden

Makeup Designer:
Claudia Cavalli

Music:
Blair Mowat

Online Editor:
Simon Giblin

Post Producer:
Martha Lake

Producer:
Isibeal Ballance

Production Accountant:
Gemma Kent

Production Coordinator:
Milly Upton

Production Design:
Bobbie Cousins

Production Designer:
Bobbie Cousins

Production Manager:
Lou Shrimpton

Prosthetic Designer:
Richard Martin

Screenplay:
Mark Gatiss

Script Supervisor:
Milena Mihaylova

Short Story:
M.R. James

Sound Editor:
James Drake

Sound Recordist:
Trevor Moore

Standby Art Director:
Catiana Becker

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.