A work in constant progress (and occasional regress).
Release Date:
September 13, 1975
Original Title:
Still Attica Remains
Genres:
Documentary
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 15
A film shot in New York City in one day, on September 13, 1975, the 4th anniversary of the massacre at Attica prison. The narration presents a case that the brutal assault was cold-blooded and senseless, causing an avoidable tragedy. Handheld footage of the city provides a backdrop as Macdonald recounts the events of the rebellion, focusing in particular on Gov. Nelson Rockefeller’s refusal to negotiate and his role in escalating the conflict that resulted in 43 deaths. Both a screed against political power and a memorial to those who lost their lives, Still Attica Remains details some of the horrors of prison— unfortunately relevant today as it was in 1975.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.