A work in constant progress (and occasional regress).
Release Date:
October 30, 2020
Original Title:
Wąż morski
Genres:
Drama
Ratings / Certifications:
N/A
Runtime: 16
A young fossil hunter makes a ground-breaking discovery, challenging the worldview of 19th-century England.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Katerina Michail
Assistant Art Director:
Eliora Darmon
Boom Operator:
Marco Curcio
Casting:
Clare Harlow
Co-Producer:
Andrea Land
Colorist:
James Bamford
Costume Assistant:
Francesca Prizzon
Costume Design:
Emily-Rose Yiaxis
Dialogue Editor:
Nigel Squibbs
Director:
James Morgan
Director of Photography:
Clemens Majunke
Drone Operator:
Tom Rowe
Editor:
Gaia Borretti
Electrician:
Connor Baskerville
Executive Producer:
Marianne Cutler
First Assistant Director:
Tom Fraser-Ivens
Focus Puller:
Mareike Böttcher
Foley Artist:
Ruth Sullivan
Foley Editor:
Stuart Bagshaw
Foley Mixer:
Ciaran Smith
Gaffer:
Andy Cahill
Graphic Designer:
Christian Ashton
Grip:
Maja Jensen
Location Manager:
George Cave
Makeup Artist:
Simone Philcox
Olimpia Stoicea
Makeup Trainee:
Brittany McDonald
Music:
Jack Wyllie
Original Music Composer:
Jack Wyllie
Producer:
Terhi Kylliainen
Production Assistant:
Olivia Lynch
Chandni Pagarani
Production Design:
Alexandra Toomey
Production Manager:
Kyrah Russell
Production Runner:
Amie Spurgeon
Tim Robinson-Boulton
Second Assistant Camera:
Tom Rowe
Sound Designer:
Jeremy Price
Sound Recordist:
Chris Sutton
Stand In:
Angus Hardie-Sutton
Scarlet Hardie-Sutton
Still Photographer:
Attila Pasek
Christopher Baker
Third Assistant Director:
Micheal Newton
Writer:
James Morgan
Lawrie Doran
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.