A work in constant progress (and occasional regress).
Featuring:
Camilla Baldi, Alberto Baraghini, Angelo Gallamini
Written by:
Adolfo Conti
Directed by:
Adolfo Conti
Release Date:
March 2, 2021
Original Title:
Gli Occhi di Dante
Genres:
Documentary | History | TV Movie
Production Companies:
ARTE
DocArt
Leonardo Film
RAI
SWR
Production Countries:
Germany | Italy
Ratings / Certifications:
N/A
He is considered the greatest European poet of the Middle Ages and his work unfolds the whole panopticon of occidental education – theology, philosophy, sciences, politics and literature. But who has really read it, the “Divine Comedy”? Who knows more of its creator Dante Alighieri than that he had an eagle-like profile and was in love with a woman named Beatrice? 700 years after Dante’s death, the filmmaker Adolfo Conti travels through Italy with Dante’s words in mind and eyes to see the world as Dante did. As the film encounters the beauty of arts and the Tuscan landscape, the forces of nature, a dramatic life story is unfolded.
Vielzitiert und selten gelesen: Der 700. Todestag 2021 ist Anlass, Dante Alighieri und sein Universalwerk "Die Göttliche Komödie" neu zu entdecken. Der italienische Autor und Filmemacher Adolfo Conti reist mit ihm durch sein Leben...
Camera Operator:
Eugenio Persico
Adolfo Conti
Stefano Petti
Antonio Costagliola di Fiore
Color Grading:
Eugenio Persico
Costumer:
Iris Tercon
Director:
Adolfo Conti
Editor:
Eugenio Persico
Music:
Pasquale Catalano
Producer:
Amalia Carandini
Adolfo Conti
Elmar Bartlmae
Production Manager:
Ilaria Sbarigia
Vania Arcangeli
Scientific Consultant:
Alberto Casadei
Marco Collareta
Marco Santagata
Adolfo Tura
Sound:
Andrea Pondini
Sound Mixer:
Marvin Baumgartner
Stage Director:
Iris Tercon
Writer:
Adolfo Conti
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.