A work in constant progress (and occasional regress).
Release Date:
September 16, 2014
Original Title:
Ne Gelen Var Ne Giden...
Genres:
Mystery | Thriller
Production Companies:
Delfi Yapım
ESR Film
Production Countries:
Turkey
Ratings / Certifications:
N/A
Runtime: 86
What if an old pal of yours or the person you have been married for years starts to think that you are not "you"? And what if you are no longer "you" at that moment? Or, while all this is happening, what if, you are confronted with the "you" that could not be "you"? "Nobody Comes, Nobody Goes..." is a psychological thriller trying to break the psyche links of reality that people establish with themselves and the life, while endeavors to present a discrete experience to its audience and provide experiment all new stuff with respect to levels of wording, text, emotions, perception, and phenomena.
Art Department Assistant:
Beyza Üstüner
Gökçe Değerli
Art Direction:
Sevgi Yanar
Assistant Director:
Hikmet Kerem Özcan
Camera Production Assistant:
Sinan Mitrandil
Co-Producer:
Gürhan Özçiftçi
Ayça Telgeren
Tamer Kara
Color Grading:
Mustafa Taşıtman
Dialogue Editor:
Kerem Aktas
Director:
Gürhan Özçiftçi
Director of Photography:
Ahmet Bayer
Focus Puller:
Bilhan Altay
Lighting Director:
Atilla Erzengin
Lighting Production Assistant:
Alican Çekiç
Online Editor:
Ender Yeşildağ
Producer:
Ender Yeşildağ
Production Assistant:
Ali Refik Telgeren
Set Photographer:
Okan Akgöl
Set Supervisor:
Hüseyin Omay
Sound Assistant:
Abdülkadir Terzi
Sound Designer:
Murat Seçkin
Serdar Kökçeoğlu
Sound Effects:
Fırat Yun
Sound Effects Designer:
Emrah Aydın
Sound Re-Recording Mixer:
Emrah Aydın
Sound Technical Supervisor:
Fatih Aydoğdu
Writer:
Gürhan Özçiftçi
Ali Dündar
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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