A work in constant progress (and occasional regress).
Release Date:
September 14, 1993
Original Title:
Suture
Alternate Titles:
缝合
Genres:
Drama | Thriller
Production Companies:
Kino Korsakoff
The Samuel Goldwyn Company
Production Countries:
United States of America
Ratings / Certifications:
CA: 18A GB: 15 NL: 16
Runtime: 96
Brothers Vincent and Clay meet up for the first time after their father's funeral and remark on how similar they look. But unknown to Clay, Vince is actually plotting to kill him with a car bomb and pass the corpse off as his own, planning to start a new life elsewhere with his father's inheritance. But Clay survives the blast and has his face, memory and identity restored in hospital... but are they the right ones?
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ADR Editor:
Julia Evershade
ADR Mixer:
Doc Kane
Art Direction:
Steve Rice
Assistant Art Director:
Daniel Goldfield
Boom Operator:
Tom Caton
Camera Operator:
Robert Fitzgerald
Casting:
Sally Dennison
Patrick Rush
Casting Associate:
Patricia Troy
Costume Design:
Mette Hansen
Director:
Scott McGehee
David Siegel
Director of Photography:
Greg Gardiner
Dolby Consultant:
Steve F.B. Smith
Editor:
Lauren Zuckerman
Executive Producer:
Steven Soderbergh
Michèle Pétin
Foley Artist:
Ellen Heuer
Foley Mixer:
David Gertz
Gaffer:
Willie Boden
Steve Gero
Hairstylist:
Lynn E. Champagne
Katherine James
Music Supervisor:
Jennifer Richardson
Dana Sano
Original Music Composer:
Cary Berger
Producer:
Scott McGehee
David Siegel
Production Design:
Kelly McGehee
Property Master:
Neal W. Zoromski
Script Supervisor:
Hilary Momberger-Powers
Set Decoration:
Nancy Wenz
Sound Designer:
Mark Mangini
Sound Mixer:
David Chornow
Sound Re-Recording Mixer:
Ron Bartlett
Still Photographer:
Linda Enger
Writer:
Scott McGehee
David Siegel
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.