Seven Psychopaths (2012) [R]

Release Date:
October 12, 2012

Original Title:
Seven Psychopaths

Alternate Titles:
7 Psychopathes
7 psychopatów
7 психопатів
Seitse psühhopaati
Sept Psychopathes
Sete Psicopatas e um Shih Tzu
Sie7e psicópatas
Sieben Psychos
Siedmiu psychopatów
Siete psicópatas
Семь психопатов
七个变态
七个神经病
세븐 싸이코패스

Genres:
Comedy | Crime

Production Companies:
BFI
Blueprint Pictures
Film4 Productions
HanWay Films

Production Countries:
United Kingdom

Ratings / Certifications:
AE: 15+  AR: 18  AU: MA15+  BR: 16  CA: R|18A  CL: 18  CO: 12  DE: 16  DK: 15  ES: 16  FI: K-16  FR: TP  GB: 15  GR: Κ-18  HK: III  HU: 16  IE: 16  IN: UA  IT: VM14  JP: R15+   KR: 18  LT: N-16   MX: C  NL: 16  NO: 15  NZ: 16  PL: 12  PT: M/16  RU: 16+  SE: 15  SG: M18  TR: 15+  TW: R-18   US: R  ZA: 16 

Runtime: 110

They Won't Take Any Shih Tzu.

A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster's beloved Shih Tzu.

Additional information:

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"A" Camera Operator:
Stephen S. Campanelli

ADR Editor:
Paul Wrightson

Armorer:
David Fencl

Art Department Assistant:
Zoe Byrne

Art Department Coordinator:
Shari Ratliff

Assistant Costume Designer:
Lindsey Kear

Assistant Property Master:
Curtis Corbitt

Best Boy Electric:
Michael J. Schwartz

Best Boy Grip:
John P. Shine

Boom Operator:
Michael Primmer
David Raymond

Casting:
Sarah Halley Finn

Co-Producer:
Betsy Danbury
Sarah Harvey

Construction Coordinator:
Mike Medina

Construction Foreman:
Larry Guy Clause

Costume Design:
Karen Patch

Director:
Martin McDonagh

Director of Photography:
Ben Davis

Dolly Grip:
Troy N. Wade

Editor:
Lisa Gunning

Executive Producer:
Tessa Ross

First Assistant Director:
Peter Kohn

Foley Artist:
Ulf Olausson

Foley Recordist:
Tomas Krantz

Gaffer:
Chris Napolitano

Key Grip:
John Janusek

Leadman:
Brent Rice

Location Manager:
Robert Foulkes

Makeup Artist:
Bonni Flowers
Bill Myer

Makeup Department Head:
Deborah La Mia Denaver

Music Editor:
Dina Eaton

Music Supervisor:
Matt Biffa

Original Music Composer:
Carter Burwell

Post Production Supervisor:
Alistair Hopkins

Producer:
Graham Broadbent
Martin McDonagh
Peter Czernin

Production Accountant:
Steven Butensky

Production Coordinator:
Lark Bernini

Production Design:
David Wasco

Production Supervisor:
Andrew Blau

Property Master:
Ritchie Kremer

Prosthetics:
Gary Archer

Rigging Gaffer:
R. Michael De Chellis

Screenplay:
Martin McDonagh

Script Supervisor:
Scott Peterson

Second Assistant Director:
Paula Case

Set Decoration:
Sandy Reynolds-Wasco

Set Designer:
Daniel R. Jennings

Sound Effects Editor:
Christer Melén

Sound Mixer:
Geoffrey Patterson

Sound Re-Recording Mixer:
Chris Burdon
Doug Cooper

Special Effects Coordinator:
Ron Trost

Special Effects Makeup Artist:
Greg Nicotero
Howard Berger

Standby Painter:
Charles Kern

Steadicam Operator:
Stephen S. Campanelli

Still Photographer:
Chuck Zlotnick

Stunt Coordinator:
Mike Smith

Stunts:
Scott Wilder
Tim Gilbert
Laura Albert
Lance Gilbert
Gregory J. Barnett
Freddy Bouciegues
Ronn Surels
Spike Silver

Supervising Sound Editor:
Joakim Sundström

Unit Production Manager:
Betsy Danbury

Unit Publicist:
Claire Raskind

Video Assist Operator:
William DiCenso
David Deever

Visual Effects Producer:
Drew Jones

About the Movie Section

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.