A work in constant progress (and occasional regress).
Release Date:
March 9, 2012
Original Title:
Bel Ami
Alternate Titles:
Askim Benim
Bel Ami, historia de un seductor
Epikindyno pathos
Milácek
Любий друг
ベラミ 愛を弄ぶ男
俊俏誘情人
漂亮朋友
色慾花美男
Genres:
Drama | Romance
Production Companies:
19 Entertainment
Protagonist Pictures
RAI
Redwave Films
Production Countries:
Italy | United Kingdom
Ratings / Certifications:
CH: 12 CZ: 12+ DE: 12 FR: 12|10 GB: 15 IE: 15 KR: 18 NL: 16|12 US: R
Runtime: 102
Georges Duroy travels through 1890s Paris, from cockroach ridden garrets to opulent salons, using his wits and powers of seduction to rise from poverty to wealth, from a prostitute’s embrace to passionate trysts with wealthy beauties, in a world where politics and media jostle for influence, where sex is power and celebrity an obsession.
ADR Editor:
Sam Southwick
ADR Voice Casting:
Vanessa Baker
Additional Photography:
Hagen Bogdanski
Art Department Assistant:
Sophie Neil
Art Direction:
Dean Clegg
Assistant Art Director:
Alexandra Collins
Assistant Costume Designer:
Natalie Humphries
Associate Producer:
Ceri Hughes
Ildikó Kemény
Boom Operator:
Arthur Fenn
Camera Operator:
Stuart Howell
Robert Patzelt
Casting:
Susie Figgis
Casting Assistant:
Kirsty Kinnear
Choreographer:
Jane Gibson
Co-Producer:
Laurie Borg
Costume Design:
Odile Dicks-Mireaux
Costume Supervisor:
Jane Petrie
Dialogue Editor:
Sam Southwick
Director:
Nick Ormerod
Declan Donnellan
Director of Photography:
Stefano Falivene
Editor:
Masahiro Hirakubo
Gavin Buckley
Executive Producer:
Simon Fuller
First Assistant Director:
Josh Robertson
First Assistant Editor:
Neil Williams
Gaffer:
John Colley
Hair Designer:
Jenny Shircore
Hairstylist:
Joe Hopker
Lizzie Lawson
Jon Henry Gordon
Location Manager:
Dan Whitty
Michael Harm
Makeup Artist:
Joe Hopker
Lizzie Lawson
Jon Henry Gordon
Makeup Designer:
Jenny Shircore
Music Editor:
Yann McCullough
Novel:
Guy de Maupassant
Orchestrator:
Jeff Atmajian
Lakshman Joseph De Saram
Rachel Portman
Original Music Composer:
Lakshman Joseph De Saram
Rachel Portman
Post Production Supervisor:
Gisela Evert
Producer:
Uberto Pasolini
Production Accountant:
Louise O'Malley
Production Coordinator:
Valentina Coccia
Production Design:
Attila Kovács
Production Manager:
Jennifer Wynne
Production Sound Mixer:
Simon Hayes
Property Master:
Terry Woods
Rigging Gaffer:
Vince Madden
Screenplay:
Rachel Bennette
Script Supervisor:
Zoe Morgan
Second Assistant Director:
Nick Shuttleworth
Set Decoration:
Anna Lynch-Robinson
Sound Effects Editor:
Ian Wilson
Sound Re-Recording Mixer:
Robert Farr
Special Effects Supervisor:
Stuart Brisdon
Steadicam Operator:
Stuart Howell
Robert Patzelt
Still Photographer:
Kerry Brown
Stunt Coordinator:
Lee Sheward
Marc Cass
Supervising Art Director:
Mark Raggett
Supervising Sound Editor:
Robert Farr
Third Assistant Director:
Tom Brewster
Unit Publicist:
Ginger Corbett
Phil Cairns
Lizzy Follows
Visual Effects Supervisor:
Sean Farrow
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.