A work in constant progress (and occasional regress).
Original Title:
Breakdancing Shakespeare: Love’s Labor’s Lost
Genres:
Comedy | Romance
Ratings / Certifications:
N/A
Who have you allowed into your home during the pandemic? In Shakespeare’s Love’s Labor’s Lost, a group of young men is determined not to waste this time — they will study, they will better themselves, they will not get distracted by anything, most especially the least productive distraction of all in their eyes, love. To ensure this, they vow that they won’t even let women inside the walls of their kingdom. So when visitors do come to Navarre the king has no other recourse but to make the guests sleep outside in his fields. But in time, like many of us during these long COVID months, the men’s resolve to keep separate from other people begins to wane; the hilarity of their compromises, work-arounds and eventually bold face lies, becomes the action of this extremely timely 400 year old play.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.