A work in constant progress (and occasional regress).
Release Date:
October 28, 2012
Original Title:
The Cloth
Alternate Titles:
A rend
Demônios: A Batalha das Almas
El Clero
El Credo
The Cloth - Kampf mit dem Teufel
Genres:
Action | Fantasy | Horror
Production Companies:
9/02 Entertainment
Bethesda Films
Eminence Productions
Production Countries:
United States of America
Ratings / Certifications:
GB: 15 HU: 18 NL: 16 US: NR
Runtime: 88
Action/horror story centered on a secret organization formed by the Catholic Church to counteract the rising number of cases of demonic possessions across the country. The story follows a young godless man who is being recruited into the cloth in order to prepare a new generation with the tools needed to stop the rise of the ultimate evil; Beelzebub.
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Best Boy Electric:
Christopher Robin Faulkner
Camera Operator:
Bill McClelland
Casting:
Asad Farr
Casting Assistant:
Amber Oliveras
Cinematography:
Khu
Consulting Producer:
Lamese Williams
Director:
Tristan Price
Executive Producer:
Khu
Jennifer L. George
Harold Hardamon
Charles Keys
Tristan Price
Extras Casting Assistant:
Michelle L. Garcia
Gaffer:
Stefani Spandau
Aasem Alhajhussein
Grip:
Kyle Klebe
Makeup Effects:
Cary Ayers
Music:
Bart Samolis
Production Design:
Cynthia Santos
Second Unit Cinematographer:
Bill McClelland
Sound Re-Recording Mixer:
Tamara Johnson
Steadicam Operator:
Bill McClelland
Stunt Coordinator:
Ray Forrest Barrow
Supervising Sound Editor:
Tamara Johnson
Writer:
Tristan Price
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.