A work in constant progress (and occasional regress).
Release Date:
January 23, 1974
Original Title:
Pray for the Wildcats
Alternate Titles:
Preghiera per i gatti selvaggi
Rezemos pelos Audazes
Una oraciĆ³n para los gatos salvajes
Genres:
Action | Drama | TV Movie | Thriller
Production Companies:
ABC Circle Films
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 100
Three ad agency executives are pressured into taking a motorbike trip to Baja by a big-ticket client. Along the way, the client is spurned by a young woman whose boyfriend sticks up for her. The client later disables their van, leading to their deaths in the desert. When the executives piece together what has happened, it leads to a showdown.
Art Direction:
Bill Malley
Assistant Editor:
Kent Schafer
Camera Operator:
Johnny Kiser Jr.
Casting:
Gail Melnick
Construction Coordinator:
William M. Bell
Costume Supervisor:
John S. Perry
Costumer:
Frank Tauss
Director:
Robert Michael Lewis
Director of Photography:
John M. Stephens
Driver:
Chris Haynes
Editor:
Les Green
Extras Casting:
Frank Kennedy
First Assistant Director:
Bert Gold
Gaffer:
Bill Curtis
Hairstylist:
Caryl Codon
Key Grip:
George Rader
Location Manager:
Jack N. Young
Makeup Artist:
E. Thomas Case
Music Editor:
Kenneth Hall
Original Music Composer:
Fred Myrow
Producer:
Anthony Wilson
Production Assistant:
Lois Kerst
Production Sound Mixer:
Harold Lewis
Property Master:
Phil Macaluso
Script Supervisor:
H. Bud Otto
Set Decoration:
Lowell Chambers
Sound Editor:
John Kline
Richard Sperber
Don Hall
Michael O'Corrigan
Sound Effects Editor:
Roger Sword
Stunt Coordinator:
Fred Waugh
Transportation Coordinator:
Norman Honath
Unit Production Manager:
Bert Gold
Writer:
Jack Turley
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.