A work in constant progress (and occasional regress).
Featuring:
Fiona Gubelmann, Antonio Cayonne, Linda Thorson
Written by:
Andrea Gyertson Nasfell
Nicole Baxter
Directed by:
Jessica Harmon
Release Date:
October 10, 2021
Original Title:
The Vows We Keep
Genres:
Drama | Romance | TV Movie
Production Companies:
MarVista Entertainment
Two 4 The Money Media
Willows Resort Productions
Production Countries:
Canada | United States of America
Ratings / Certifications:
SK: 12 US: G
Runtime: 84
An event planner must organize the perfect wedding for her sister in less than a month when she finds out that the Rosewood, a historic inn and beloved wedding venue, is being sold.
Follows an event planner who must organize the perfect wedding for her sister in less than a month.
"A" Camera Operator:
Laurent Danis
"B" Camera Operator:
Jenna Fuoco
Art Direction:
Aaron Hall
Assistant Costume Designer:
Kristine Wilson
Assistant Editor:
Taylor Frey
Assistant Location Manager:
Wayne Toews
Assistant Production Coordinator:
Matthew Herst
Leroy Majani
Assistant Property Master:
Renee Belliveau
Assistant Set Decoration:
Dana Porter
Assistant Sound Editor:
Sean Szutka
Best Boy Electric:
Kyle Foster
Best Boy Grip:
Basil Fafard
Boom Operator:
Devin Baril
Bandon Kingma
Camera Trainee:
Bess Teague
Casting:
Jackie Lind
Casting Assistant:
Andrea Ware
Jana Jacques Lind
Tara Bell-Irving
Colorist:
Lorne Wright
Costume Coordinator:
Eleni Tsapas
Costume Designer:
Emily Gray
Costume Set Supervisor:
Mikaela Kinding
Craft Service:
Lisa Ahlers
Dialogue Coach:
Stellina Rusich
Dialogue Editor:
Gina Mueller
Director:
Jessica Harmon
Director of Photography:
Jesse D.E. Young
Dolly Grip:
Jake Cummins
Editor:
Rick Martin
Executive Producer:
Julianna Hays
Fernando Szew
Kim Arnott
Ivan Hayden
Michael Shepard
Extras Casting:
L.A. Hilts
Extras Casting Assistant:
Elfie Pavlakovic
Extras Dresser:
Levi Garcia
Julie Bajic
First Assistant "A" Camera:
P. Anton Seaman
First Assistant "B" Camera:
Solen Yagihara
First Assistant Director:
Linda Crain
First Assistant Editor:
Miguel Quintero
First Assistant Hairstylist:
Jacqueline Heron
April Pangilinan
First Assistant Makeup Artist:
Micah Gilbert
Foley Artist:
Ian Mackie
Foley Recording Engineer:
Rick Senechal
Gaffer:
Alex Ma
Graphic Designer:
Kayla Mackey
Grip:
Kiefer Schneider
Connor Van Der Rae
Joel Sutherland
Oliver McCrea
Key Grip:
Bryceton Cote
Key Hair Stylist:
Shelly Jensen
Key Makeup Artist:
Ashley Pilkey
Lead Set Dresser:
Lori Kwasney
Location Manager:
Karen Zajac
Music:
Track Tailors
Music Coordinator:
Emma Lewicky
Music Supervisor:
Valerie Biggin
Online Editor:
Tony Hrkac
Payroll Accountant:
Kathy Thomas
Post Production Coordinator:
Ludmila Kmet
Producer:
John Prince
Production Accountant:
Megan Turnbull
Production Coordinator:
Anna Alie
Production Design:
Paul McCulloch
Production Manager:
John Prince
Property Master:
Melody Wilson
Props:
Brittanie Thompson
Script Coordinator:
Matthew Willis
Script Supervisor:
Samantha Suminguit
Second Assistant "A" Camera:
Coenraad Been
Second Assistant "B" Camera:
Alexis Golat
Second Assistant Director:
Tammy Tseng
Security Coordinator:
Sean Hanlin
Set Decorating Coordinator:
Carol-Ann Nelson
Set Decoration:
Donna McBride
Set Dresser:
David Mizera
Janice Hum
Simone Mason
Morganna Gresham
Sound Designer:
Craig George
Sound Mixer:
James Schoening
Sound Re-Recording Mixer:
Jo Rossi
David Green
Special Effects Coordinator:
Kyle T. Moore
Still Photographer:
Allister Foster
Luba Popovic
Supervising Producer:
Dawn Knight
Third Assistant Director:
Masha Jenkins
Transportation Captain:
Rob Gellner
Transportation Coordinator:
Dean Fitzpatrick
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.