A work in constant progress (and occasional regress).
Release Date:
September 25, 2021
Original Title:
Taking the Reins
Alternate Titles:
Love at the Steeplechase
Genres:
Comedy | Romance | TV Movie
Production Companies:
Sliding Into Home
Synthetic Cinema International
Production Countries:
United States of America
Ratings / Certifications:
US: G
Runtime: 84
A writer goes back to the family ranch to write an article about her passion for horses and discovers what ended her marriage and why she stopped riding horses.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
"A" Camera Operator:
Branden James Maxham
"B" Camera Operator:
Laura Nolan
Art Direction:
Irena Hadzi Dordevic
Casting:
Penny Perry
Tracy Kilpatrick
Costume Designer:
Lorraine Coppin
Digital Imaging Technician:
Payton Bergkamp
Director:
Clare Niederpruem
Director of Photography:
Branden James Maxham
Editor:
Rob Pallatina
Executive Producer:
Beth Miller
Nikki DeLoach
Megan McNulty
First Assistant "B" Camera:
Cole H. Carpenter
Samuel Lüsted
First Assistant Director:
David Eric Chapman
Hair Designer:
Jackie Zbuska
Line Producer:
Devyn Isaacson
Makeup Designer:
Jackie Zbuska
Original Music Composer:
Tommy Fields
Producer:
Andrew Gernhard
Colin Theys
Barry Hennessey
Dustin Rikert
Production Design:
Shane Meador
Second Assistant Director:
Elizabeth MacSwan
Second Second Assistant Director:
Ian Van der Werff
Set Decoration:
Christi Whiteley
Steadicam Operator:
Dean Egan
Ian Woolston-Smith
Still Photographer:
Robert Clark
Stunt Coordinator:
Artie Malesci
Stunt Double:
Becca GT
Ben Aycrigg
James Vastis
Stunts:
Franklin Bassett
Cameron Krueger
Writer:
Alex Wright
Ron Oliver
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.