A work in constant progress (and occasional regress).
Release Date:
September 18, 2021
Original Title:
Raise a Glass to Love
Alternate Titles:
Una Copa Por El Amor
Genres:
Comedy | Romance | TV Movie
Production Companies:
Front Street Pictures
Glee Road Productions
Hallmark Media
Production Countries:
Canada | United States of America
Ratings / Certifications:
US: G
Runtime: 84
Aspiring Master Sommelier Jenna returns to her family vineyard to study and is intrigued by the natural methods of the handsome new, Argentinian winemaker, Marcelo.
"A" Camera Operator:
Corey Tremblay
"B" Camera Operator:
Michelle Remnant
Accountant:
Marnie Termuende
Art Direction:
Grace Alvarez
Assistant Accountant:
Gill Kennedy
Alison Rasberry
Assistant Costume Designer:
Rachel Zaharik
Rani Mann
Assistant Editor:
Emerson Hill
Assistant Hairstylist:
Domenic Barbuscio
Assistant Location Manager:
Nathan Hutton
Assistant Makeup Artist:
Angelica Nakamura
Assistant Production Coordinator:
Laura Obenaus
R. Aiden Marsden
Assistant Property Master:
Michelle Allan
Assistant Sound Editor:
Sean Szutka
Background Casting Director:
Angela Quinn
Best Boy Electric:
Andrew Livsey
Best Boy Grip:
Derek Poustie
Boom Operator:
Jason Wood
Casting:
Jackie Lind
Penny Perry
Casting Assistant:
Tara Bell-Irving
Colorist:
Kipp Lightburn
Costume Designer:
Jaralin Detienne
Costume Set Supervisor:
Rachel Zaharik
Craft Service:
Donna Barabas
Dialogue Editor:
Gina Mueller
Digital Imaging Technician:
Alessandra Hasselborg
Director:
David Weaver
Director of Photography:
Shawn Seifert
Dolly Grip:
Mark Kent
Editor:
Jason Dale
Executive Producer:
Antonio Cupo
Extras Casting Coordinator:
Jacob Wideman
First Assistant "A" Camera:
P. Anton Seaman
First Assistant "B" Camera:
Thomas Kelly
First Assistant Director:
Jason Still
Foley Artist:
Bonnie Lambie
Ian Mackie
Foley Recording Engineer:
Rick Senechal
Gaffer:
Austin Poitras
Generator Operator:
Dan Leusca
Key Grip:
Shawn Elgby
Key Hair Stylist:
Lorna Bravo
Key Makeup Artist:
Francesca Cervellin
Lead Set Dresser:
Lance Koivu
Location Manager:
Theresa Bodin
Music Coordinator:
Emma Lewicky
Music Supervisor:
Valerie Biggin
Online Editor:
Cassandra Yaseniuk
Matthew Shuttleworth
Original Music Composer:
Mikel Hurwitz
Post Production Accountant:
Faiza Lalani
Post Production Coordinator:
Behnam Salimy
Moheb Jindran
Post Production Supervisor:
Sepideh Merchant
Producer:
Charles Cooper
Production Accountant:
Svatia Sakarova
Production Coordinator:
Yale Kussin
Production Design:
Mark Boyko
Production Manager:
Geoffrey Dodd
Production Sound Mixer:
Jason Wood
Property Master:
Jonathan Krauth
Props:
Megan MacAulay
Melissa Anne Pilac
Script Supervisor:
Jenn MacLean-Angus
Second Assistant "A" Camera:
Cary Golob
Second Assistant "B" Camera:
Giacomo Pastorino
Second Assistant Director:
Lee Karlovic
Security Coordinator:
Sean Hanlin
Set Decoration:
Sheldon Feyter
Ryan Casey
Set Dresser:
Simon Kaulback
Sound Designer:
Craig George
Sound Re-Recording Mixer:
Joe Watts
David Green
Still Photographer:
Steve Wensley
Stunt Coordinator:
Jamie Payton
Supervising Producer:
Bianca Versteeg
Allen Lewis
Teleplay:
Laura Rohrman
Third Assistant Director:
Jillian Budac
Else Jespersen
Transportation Captain:
Inderpaul Dhesi
Transportation Coordinator:
Dean Fitzpatrick
Truck Supervisor:
Raven G. Basi
Visual Effects Supervisor:
Vishwas Kapoor
Writer:
Emily Schmitt
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.