A work in constant progress (and occasional regress).
Release Date:
September 9, 2021
Original Title:
Welcome Venice
Genres:
Drama
Production Companies:
Jolefilm
RAI Cinema
Vivo Film
Production Countries:
Italy
Ratings / Certifications:
DE: 12
Runtime: 100
Two brothers are in conflict over the way the Venetian lagoon has been transformed, and the identity of the city and its residents has drastically changed.
Assistant Editor:
Matteo Serman
Assistant Production Design:
Tessa Battisti
Associate Producer:
Marta Donzelli
Gregorio Paonessa
Boom Operator:
Alberto Cagol
Camera Operator:
Lorenzo Pezzano
Casting:
Marina Zangirolami
Costume Design:
Marianna Peruzzo
Director:
Andrea Segre
Director of Photography:
Matteo Calore
Editor:
Chiara Russo
Finance:
Lorenza Poletto
First Assistant Camera:
Nicolas De Luigi
Giorgio Perluigi
First Assistant Director:
Cinzia Castania
Foley Artist:
Mauro Eusepi
Gaffer:
Alessandro Saulini
Hair Department Head:
Mariagrazia Zugno
Key Grip:
Diego Tessarin
Line Producer:
Marco Zanon
Makeup Department Head:
Anna Lazzarini
Music Consultant:
Teho Teardo
Producer:
Francesco Bonsembiante
Production Design:
Leonardo Scarpa
Production Manager:
Pierantonio 'Noki' Novara
Script Supervisor:
Lisa Castagna
Gina Neri
Second Assistant Camera:
Martina Fabian
Second Assistant Director:
Luca Zambolin
Archontoula Skourtanioti
Aurora Vidotto
Paola Bonsembiante
Set Decoration:
Serena Boccanegra
Sound:
Candido Raini
Marco Zambrano
Matteo Carnesecchi
Sound Editor:
Riccardo Spagnol
Sound Mixer:
Paolo Segat
Writer:
Marco Pettenello
Andrea Segre
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.