A work in constant progress (and occasional regress).
Release Date:
October 7, 1964
Original Title:
The Outrage
Genres:
Crime | Drama | Western
Production Companies:
Martin Ritt Productions
Metro-Goldwyn-Mayer
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 96
At a disused railway station, three men -- a con artist, a preacher, and a prospector -- discuss the recent trial and sentencing of the outlaw Juan Carrasco for the murder of a man and the rape of his wife. In their recounting, the three explore the conflicting testimonies of the parties involved in the crimes. Disconcerting new questions arise with each different version of the event.
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Art Direction:
Tambi Larsen
George W. Davis
Assistant Camera:
Dewey Wrigley Jr.
Assistant Director:
Daniel McCauley
Associate Producer:
Michael Kanin
Conductor:
Alex North
Costume Design:
Donfeld
Dialect Coach:
Walon Green
Julie Gibson
Director:
Martin Ritt
Director of Photography:
James Wong Howe
Editor:
Frank Santillo
Hairstylist:
Sydney Guilaroff
Makeup Supervisor:
William Tuttle
Musician:
Artie Kane
Virginia Majewski
Ethmer Roten
Raymond Turner
Orchestrator:
Gil Grau
Original Music Composer:
Alex North
Original Story:
Akira Kurosawa
Ryƫnosuke Akutagawa
Shinobu Hashimoto
Painter:
Frank Wesselhoff
Producer:
A. Ronald Lubin
Martin Ritt
Recording Supervision:
Franklin Milton
Screenplay:
Michael Kanin
Set Decoration:
Henry Grace
Robert R. Benton
Theatre Play:
Fay Kanin
Michael Kanin
Unit Production Manager:
Stanley Goldsmith
Visual Effects:
J. McMillan Johnson
Robert R. Hoag
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.