A work in constant progress (and occasional regress).
Release Date:
August 10, 2004
Original Title:
Creep
Alternate Titles:
0:34
0:34 レイジ34フン
Borzongás - Hajsza a metróban
Creep
Creep - Das Grauen lauert im Untergrund
Creep - O Túnel do Medo
La Criatura
Lęk
Nakaza
Plataforma do Medo
Tromos sto metro
Genres:
Horror | Mystery | Thriller
Production Companies:
Dan Films
Filmstiftung NRW
UK Film Council
Zero Film GmbH
Production Countries:
Germany | United Kingdom
Ratings / Certifications:
DE: 16 FR: 16 GB: 18 IE: 18 US: R
Runtime: 85
Trapped in a London subway station, a woman who's being pursued by a potential attacker heads into the unknown labyrinth of tunnels beneath the city's streets
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Editor:
Rick Dunford
ADR Mixer:
Michael A. Carter
ADR Voice Casting:
Vanessa Baker
Brendan Donnison
Additional First Assistant Camera:
Lars Richter
Additional Still Photographer:
Ed Miller
Art Direction:
Ellen Latz
Ashley Winter
Assistant Accountant:
Tina Falcone
Assistant Property Master:
Nadine Hasenbein
Boom Operator:
Gary Dodkin
Camera Operator:
Lewis Buchan
Camera Trainee:
Simon De Glanville
Casting:
Emma Style
Costume Assistant:
Shane Kingdon
Rachel Vallance
Costume Design:
Phoebe De Gaye
Dialogue Editor:
Rick Dunford
Digital Colorist:
Stuart Fyvie
Digital Compositor:
Tom Hocking
Gruff Owen
Digital Supervisor:
Katja Hollmann
Director:
Christopher Smith
Director of Photography:
Danny Cohen
Dolby Consultant:
James Seddon
Dressing Prop:
Lee Hedges
Mark Hedges
Editor:
Kate Evans
Electrician:
Paul Duffy
Oliver Poole
Executive Producer:
Robert Jones
First Assistant Director:
Max Keene
First Assistant Editor:
Andrew Melhuish
Focus Puller:
Nathan Mann
Kim Seber
Foley Artist:
Julie Ankerson
Martin Jensen
Gaffer:
Mark Clayton
Tony C. Miller
Georg Nonnenmacher
Hair Designer:
Jan Sewell
Hairstylist:
Uli Nunn
Key Grip:
Paul Hymns
Kenneth Cornils
Location Manager:
Algernon Sloane
Makeup Artist:
Nicola Frost
Makeup Designer:
Jan Sewell
Music Editor:
Richard Todman
Music Supervisor:
Alison Wright
Original Music Composer:
The Insects
Post Production Accountant:
Maxine Stanley
Post Production Supervisor:
Richard Lloyd
Producer:
Julie Baines
Jason Newmark
Production Accountant:
Trevor Stanley
Production Coordinator:
Matthew Hobbs
Production Design:
John Frankish
Production Manager:
Marc Grewe
Property Master:
Gordon Fitzgerald
Anke Pagels
Props:
Ulrike Gojowczyk
Prosthetic Makeup Artist:
Mike H.G. Bates
Suzanne Bates
Nicola Pandel
Mike Stringer
Screenplay:
Christopher Smith
Script Supervisor:
Elizabeth Tremblay
Second Assistant Camera:
John Evans
Set Decoration:
Emma Field-Rayner
Set Dresser:
Keith Stevenson
Thorsten Sabel
Sound Editor:
Nick Baldock
Sound Re-Recording Mixer:
Michael A. Carter
Sound Recordist:
Michael Spencer
Steadicam Operator:
Thomas Korda
Roger Tooley
Still Photographer:
Martin Menke
Bernd Spauke
Storyboard Artist:
Dan Maslen
Daniel Painter
Stunt Coordinator:
Nrinder Dhudwar
Stunt Double:
Katja Jerabek
Supervising Art Director:
Matthew Gray
Supervising Sound Editor:
Peter Baldock
Title Designer:
Richard Morrison
Unit Publicist:
Keeley Naylor
VFX Artist:
Kimberley Broughton
Mark Kilburn
Peter Minister
John Parnham
Jenny Rose-Barber
Dawn Whitehead-Binns
Visual Effects Supervisor:
Phil Attfield
Simon Frame
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.