A work in constant progress (and occasional regress).
Release Date:
March 30, 2022
Original Title:
El Gran Movimiento
Genres:
Drama
Production Companies:
Altamar Films
Best Friend Forever
Bord Cadre Films
Cosmodigital
DFI
Socavón Cine
Sovereign Films
Production Countries:
Bolivia | France | Qatar | Switzerland | United Kingdom
Ratings / Certifications:
GB: 15
Runtime: 85
A symphony of the city in the heights, the illness of a worker, the nightmare and his redemption.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Department Assistant:
Modesto Vargas
Ruben Ramos
Roxana Luna
Juan Luna
Assistant Director:
Sergio Pinedo
Associate Producer:
Jamal Zeinal Zade
Dan Wechsler
Miguel Angel Peñaloza
Andreas Roald
Boom Operator:
Anselmo Beltrán
Julio Cezar Ticona
Mauricio Durán
Cinematography:
Pablo Paniagua
Colorist:
Marine Lepoutre
Costume Design:
Viviana Baltz
Dialogue Editor:
Andrés Polonsky
Director:
Kiro Russo
Editor:
Pablo Paniagua
Felipe Gálvez
Kiro Russo
Electrician:
Gabriel Coyo
Enrique Callejas
Ruben Ramos
Nelson Arcani
First Assistant Camera:
Pedro Mamani
Mauricio Salazar
Foley Artist:
Francisco Rizzi
Gaffer:
Walter Acho
Makeup Artist:
Kantay Melgarejo
Fariddy Rafael
Music:
Miguel Llanque
Anton Vlasov
Producer:
Pablo Paniagua
Kiro Russo
Alexa Rivero
Production Design:
Lorena Peñaloza
Production Manager:
Juan Pablo Piñeiro
Props:
Lucia Quiroga
Second Assistant Camera:
Juan Ramos
Silvana Baltz
Sound:
Marcelo Guzmán
Pepo Razzari
Sound Editor:
Mercedes Tennina
Sound Effects Editor:
Lautaro Zamaro
Sound Re-Recording Mixer:
Emmanuel Croset
Sebastián González
Still Photographer:
Cayara Aguilar
Supervising Sound Editor:
Mauricio Quiroga
Transportation Coordinator:
Pedro Mamani
Unit Manager:
Alejandra Antequera
Unit Production Manager:
Fernando Ballivian
Writer:
Kiro Russo
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.