A work in constant progress (and occasional regress).
Release Date:
October 4, 2021
Original Title:
El hoyo en la cerca
Alternate Titles:
Słabsze ogniwo
Tel Örgüdeki Delik
Η τρύπα στον φράχτη
Genres:
Drama
Production Companies:
Amondo Films
Production Countries:
Mexico | Poland
Ratings / Certifications:
N/A
Runtime: 102
As every year, the Los Pinos school, a prestigious school of the confessional type, sends its students on retreat to the countryside. Under the watchful eye of teachers and priests, the children are led on the path of their physical and moral development. Through the gaze of several middle and upper class teenagers, the film shows how their upbringing affects the future of society itself.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
ADR Recordist:
Raúl Locatelli
Additional Dialogue:
Victoria Escobar
Gabriel Sosa Morfin
Additional Sound Re-Recordist:
Axel Muñoz
Liliana Villaseñor
Art Direction:
Sebastián Narbona
Assistant Editor:
Mateo Granillo
Urzula Barba Hopfner
Associate Producer:
Roger-Casas Alatriste
Roberto Aviña Carlin
Alexander De Graaf
Katia Priwieziencew
Boom Operator:
Filippo Restelli
Carpenter:
Orlando Arizta
Antonio Daniel Piñón García
Co-Producer:
Ari del Castillo
Kamila Derkowska
Hanna Drewek
María De Jesús García Reyes
Jacqueline Hernández
Rafal Krus
Andrés Martínez Ríos
Paweł Tarasiewicz
Construction Coordinator:
Lilyana Torres
Director:
Joaquín del Paso
Director of Photography:
Alfonso Herrera Salcedo
Editor:
Paloma López
First Assistant Director:
Salvador Guerrero
Foley Artist:
Miren Begoña Cortazar
Foley Mixer:
Kevin Colman Bertoni
Hairstylist:
Jesús García Murguía
Line Producer:
Marion d'Ornano
Itzel Sierra
Tania Zamora
Makeup Artist:
Licci Guerra
Vanessa Villaescusa
Makeup Designer:
Aleksandra Dutkiewicz
Jorge Fuentes
Post Production Assistant:
Juan Manuel Mancilla Abaroa
Pavel Aguilar
Isaac David
Producer:
Fernanda de la Peza
Joaquín del Paso
Production Assistant:
Timothée Cliquet
Claudio Omar Lailson Garay
Alonso Matus
Edain May
Production Design:
Lucy Pawlak
Production Manager:
Katarzyna Janiak
Props:
Aldo Arreola
Second Assistant Director:
Estefania Antuñano
Sound Editor:
Gerardo Kalmar
Sound Re-Recording Mixer:
Jaime Baksht
Michelle Couttolenc
Sound Recordist:
Santiago Arroyo
Alonso Matus
Special Effects:
José Martínez Josh
Special Effects Assistant:
Uriel Martínez Aviles
Luís Ballesteros
Isaac Herrera García
Amilcar Miguel Luciano
Special Effects Supervisor:
Camila D'Acosta de la Garza
Stunts:
Bernardo Bucio
Ella Bucio
Supervising Sound Editor:
Guido Berenblum
Unit Production Manager:
Isabel Gallegos Acosta
VFX Supervisor:
Paweł Tymoteusz Sowa
Visual Effects Producer:
Aleksander Czermiński
Visual Effects Supervisor:
Camila D'Acosta de la Garza
Daniel Markowicz
Weapons Master:
Marco Acosta Antonio Armas
Writer:
Lucy Pawlak
Joaquín del Paso
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.