A work in constant progress (and occasional regress).
Release Date:
September 7, 2024
Original Title:
Obervogelgesang
Genres:
Animation
Production Companies:
Filmakademie Baden-Württemberg
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 6
“Those freaking 33 percent, where were they?” Lovis asks herself as she discovers a clearly right radical slogan on the regional train. She starts counting: “One, two, Nazi. One, two, Nazi.” In anger, she exits the train at the next stop. Stranded on the platform, she is confronted with the question: What now?
Animation:
Elias Weinberger
Ferdinand Ehrhardt
Gregor Wittich
Background Designer:
Gwenola Heck
Compositor:
Harald Dieterichs
Director:
Ferdinand Ehrhardt
Elisabeth Weinberger
Editor:
Andreas Bothe
Foley:
Marieke Czogalla
Music:
Hannes Bieber
Producer:
Malin Krüger
Sound Designer:
Henrike Sommer
Sound Mixer:
Henrike Sommer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.