A work in constant progress (and occasional regress).
Release Date:
April 16, 2021
Original Title:
Ready Mix
Genres:
Documentary
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 45
Ready Mix (2021) is a forty-five-minute film shot over two years at a concrete plant in central Idaho. Ready Mix records the churning transformation of mineral aggregates and cement binders into one of the world’s most ubiquitous building materials: ready-mix concrete. The film’s extra-wide aspect ratio references the surveying origins of the anamorphic format. Developed during World War I to give military-tank operators more expansive views of the terrain, the format later became a staple of Western genre films. Ready Mix collapses this perspectival depth into visual flatness and material density. In doing so, it counters the ways in which Westerns traditionally frame the landscape to perpetuate the myth of the so-called frontier as receding, empty, and untamed.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.