Tom Jones's 1950s: The Decade That Made Me (2016) [N/A]

Release Date:
April 16, 2016

Original Title:
Tom Jones's 1950s: The Decade That Made Me

Ratings / Certifications:
 N/A

Runtime: 59

In a personal journey through his formative years in south Wales in the 1950s, Tom Jones takes us on a trip through the decade of his childhood and adolescence.

Television, the movies, the radio and - most importantly - the music of the first rock 'n' roll years give us a unique insight into both the country and the decade that would shape Tom's talent and, in the 60s, make him a star. Tom Jones's 1950s in Pontypridd are told first hand by the man himself as he travels back to his birthplace. Tom's take on the decade is amplified and explored by a Greek chorus of contributors who share their account of their 50s. Joan Bakewell, Katherine Whitehorn and Michele Hanson share their experiences both as women and from differing class backgrounds, historians Alwyn Turner, Martin Johnes, Francis Beckett and Tony Russell draw the social and political landscape of a rapidly changing decade, while musicians Bruce Welch, Clem Cattini, Marty Wilde and Tom McGuinness talk of how that decade began their musical journeys and changed their lives forever, all illustrated by a rich seam of archive that captures a decade we mostly saw in black and white.

Additional information:

The Search Form


Director:
Chris Rodley

Executive Producer:
Mark Cooper

Producer:
Chris Rodley

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.