A work in constant progress (and occasional regress).
Release Date:
August 26, 2021
Original Title:
La teoría de los vidrios rotos
Alternate Titles:
A Teoria dos Vidros Quebrados
Genres:
Comedy
Production Companies:
Cordón Films
OKNA Produções
Parking Films
Tarea Fina
Production Countries:
Argentina | Brazil | Uruguay
Ratings / Certifications:
N/A
Runtime: 82
Claudio is promoted to policy coordinator in his insurance company, but he has to move to a remote small town for the position, and after arriving numerous cars begin to be set on fire. Claudio is pressured to cover the cars' insurance in a hostile environment, and as he tries to do so he will discover that many things are not what they appear to be.
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Art Direction:
Gonzalo Delgado
Mariana Pereira Scayola
Assistant Art Director:
Inés Carriquiry
Assistant Production Manager:
Virginia González Brusco
Boom Operator:
Lucas Tartaglia
Camera Operator:
Lucio Bonelli
Colorist:
Guido Tomeo
Costume Designer:
Nicole Davrieux
Dialogue Editor:
Ricardo Costa
Digital Compositor:
Leonardo Quartieri
Director:
Diego Fernández Pujol
Director of Photography:
Lucio Bonelli
Editor:
Pablo Riera
First Assistant Director:
Diego Ferrando Mazzotti
Foley Artist:
Felipe Burger Marques
Key Makeup Artist:
Virginia Silva
Makeup & Hair Assistant:
Sofia Sellanes
Opening Title Sequence:
Dannah Michinski
Production Assistant:
Guillermo Barbat Castagno
Production Manager:
Lina Montello
Patricia Olveira
Screenplay:
Diego Fernández Pujol
Rodolfo Santullo
Script Supervisor:
Agustín Álvarez
Second Assistant Camera:
Victoria Pena
Second Assistant Director:
Rodrigo Gils
Sound Designer:
Chrístian Vaisz
Sound Recordist:
Ricardo Costa
Video Assist Operator:
Agustín Álvarez
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.