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Ura Aka: L'Aventure (2021) [N/A]

Featuring:
Fûju Kamio, Kumi Takiuchi

Written by:
Takuya Kato
Ryô Takada

Directed by:
Takuya Kato


Release Date:
April 21, 2021

Original Title:
裏アカ

Alternate Titles:
Ura Aka: L'Aventure
Ura Aka:L Aventure
裏アカ

Genres:
Drama | Romance

Production Companies:
Culture Entertainment

Production Countries:
Japan

Ratings / Certifications:
JP: R15+ 

Runtime: 100

Overview from TheMovieDB

Machiko can't shake the feeling of emptiness in her day-to-day life as a manager of a clothing store in Aoyama, Tokyo. One day, the casual words of Sayaka, a younger and charismatic store staff, stirs Machiko into creating a secret...

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Overview from Open Movies

Machiko can't shake the feeling of emptiness in her day-to-day life as a manager of a clothing store in Aoyama, Tokyo. One day, the casual words of Sayaka, a younger and charismatic store staff, stirs Machiko into creating a secret social media account, where she posts a revealing photo of her chest. Machiko becomes hooked on the reaction she gets, something she could never get in the real world, and her posts become increasingly daring. She eventually meets one of her followers, a younger man named "Yuto". Machiko becomes drawn to Yuto, who, like herself, harbored feelings of unfulfillment.

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Rankings and Honors

Ura Aka: L'Aventure (2021) on IMDb

Performers

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Production

Director:
Takuya Kato

Director of Photography:
Naoya Ikeda

Editor:
Tomomi Kikuchi

Hair Setup:
Harumi Arai

Lighting Technician:
Hideki Tateno

Music:
Funakoshi Yuki

Production Design:
Satoshi Kanda

Screenplay:
Ryo Takada

Sound Recordist:
Daisuke Akimoto

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.