A work in constant progress (and occasional regress).
Release Date:
October 1, 1952
Original Title:
Venetian Bird
Alternate Titles:
The Assassin
Genres:
Mystery | Thriller
Production Companies:
British Film-Makers
Production Countries:
United Kingdom
Ratings / Certifications:
N/A
Runtime: 94
Private eye Edward Mercer travels to Venice to locate a man due a reward for his aid in the war. Shortly after arriving, he becomes the prime suspect in the murder of his local contact. In his quest to clear his name, Mercer uncovers a conspiracy. Even the local magistrate seems to be working against him, and Mercer begins to suspect the man he came to find is behind it all.
Art Direction:
George Provis
Assistant Art Director:
Iris Newell
Assistant Director:
Peter Bolton
Assistant Sound Editor:
Charles Squires
Camera Operator:
H. A. R. Thomson
Cinematography:
Ernest Steward
Clapper Loader:
John Alcott
Conductor:
Muir Mathieson
Continuity:
Tilly Day
Costume Design:
Yvonne Caffin
Costume Supervisor:
Yvonne Caffin
Director:
Ralph Thomas
Director of Photography:
Ernest Steward
Draughtsman:
John Gow
Robert Cartwright
Roy Dorman
Roy Walker
Editor:
Gerald Thomas
Executive Producer:
Earl St. John
First Assistant Editor:
Peter Boita
Focus Puller:
Reginald H. Morris
Hairstylist:
Stella Rivers
Location Manager:
Maurizio Lodi-Fè
Makeup Artist:
Ernest Gasser
Novel:
Victor Canning
Original Music Composer:
Nino Rota
Producer:
Betty E. Box
Production Controller:
Arthur Alcott
Production Manager:
Douglas Peirce
Production Secretary:
Fanya Fisher
Screenplay:
Victor Canning
Second Assistant Director:
Jim Ware
Sound Editor:
Peter Seabourne
Sound Mixer:
Gordon K. McCallum
Sound Recordist:
John Dennis
Still Photographer:
Cornel Lucas
Third Assistant Director:
Jack N. Green
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.