A work in constant progress (and occasional regress).
Release Date:
January 1, 1978
Original Title:
Hands Across the Border
Production Companies:
Center for New Art Activities
General Idea
Open Space Films
Televista Projects
Video Free America
Video Inn Vancouver
Production Countries:
Canada | United States of America
Ratings / Certifications:
N/A
Hands Across The Border was a seven city slow scan collaboration. With participation from Paul Wong, Sharon Levett & Daryl Lacey, Video Inn, Vancouver;Randall Lyon & Gus Nelson, Televista Projects, Memphis; Sharon Grace, Video Free America, Berkeley Art Museum, U.C.; Peggy Cady, Bill Bartlett, Chas Leckie. Open Space, Victoria; Felix Partz, Jorge Zontal & Willoughby Sharp, General Idea, Toronto; Liza Bear & Robin Winters, Center for New Art Activities, NY.; et al. Slow-scan television equipment used a computerised memory to sample a picture from a television camera every few seconds, “freeze” it and send it down a telephone line as an audio signal. The machines could only be used between two points at a time. At the receiving end, the signal was decoded and slowly scanned out a still frame on a television monitor.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.