A work in constant progress (and occasional regress).
Release Date:
July 22, 1976
Original Title:
Bugsy Malone
Alternate Titles:
Du rififi chez les mômes
Quando as Metralhadoras Cospem
Ανήλικοι Ριφιφίδες
Ανήλικοι Ριφιφίδες (Μπάγκσι Μαλόουν)
Μπάγκσι Μαλόουν
Genres:
Action | Comedy | Drama | Family | Music
Production Companies:
Bugsy Malone Productions
Goodtimes Enterprises
National Film Trustee Company
Paramount Pictures
Robert Stigwood Organization
The Rank Organisation
Production Countries:
United Kingdom
Ratings / Certifications:
BR: L DE: 6 GB: U US: G
Runtime: 93
New York, 1929, a war rages between two rival gangsters, Fat Sam and Dandy Dan. Dan is in possession of a new and deadly weapon, the dreaded "splurge gun". As the custard pies fly, Bugsy Malone, an all-round nice guy, falls for Blousey Brown, a singer at Fat Sam's speakeasy. His designs on her are disrupted by the seductive songstress Tallulah who wants Bugsy for herself.
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Art Direction:
Malcolm Middleton
Assistant Art Director:
Robert Cartwright
Assistant Director:
Brian Bilgorri
Gerry Toomey
Assistant Editor:
David Beesley
Terry Busby
Boom Operator:
Ken Weston
Camera Operator:
John Stanier
Choreographer:
Gillian Gregory
Clapper Loader:
Vic Fuller
Construction Manager:
Bill MacLaren
Continuity:
Kay Fenton
Costume Design:
Monica Howe
Director:
Alan Parker
Director of Photography:
Michael Seresin
Peter Biziou
Editor:
Gerry Hambling
Executive Producer:
David Puttnam
Robert Stigwood
First Assistant Director:
Ray Corbett
Hairdresser:
Sandra Exelby
Sarah Monzani
Makeup Artist:
Mary Hillman
Tommie Manderson
Original Music Composer:
Paul Williams
Producer:
Alan Marshall
Production Accountant:
Ron Phipps
Production Design:
Geoffrey Kirkland
Production Manager:
Garth Thomas
Property Buyer:
David Lusby
Property Master:
John Leuenberger
Set Decoration:
Harry Cordwell
Songs:
Paul Williams
Sound:
Ken Barker
Sound Editor:
Les Wiggins
Sound Mixer:
Clive Winter
Still Photographer:
David Appleby
Writer:
Alan Parker
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.