A work in constant progress (and occasional regress).
Featuring:
Shiva Suryavanshi, Sheetal Singh, Mannveer Choudharry
Written by:
Aditya Om
Shiva Suryavanshi
Directed by:
Aditya Om
Release Date:
January 29, 2021
Original Title:
Maassab
Ratings / Certifications:
N/A
A high ranking administrator who has quit his job to teach children of rural India faces huge obstacles from a society entrenched in dogma, superstition, feudalism and corruption. 'Maassab' is a unique film which deals with the untouched topic of education in rural primary schools in India . What keeps a society secure, sensitive and prosperous can be called real education. The film is an attempt to bring in focus the obstacles and resistance which education and reforms face even today in rural India.
A high ranking administrator who has quit his job to teach children of rural India faces huge obstacles from a society entrenched in dogma, superstition, feudalism and corruption. 'Maassab' is a unique film which deals with the untouched topic of education in rural primary schools in India . What keeps a society secure, sensitive and prosperous can be called real education. The film is an attempt to bring in focus the obstacles and resistance which education and reforms face even today in rural India. Ashish Kumar's heart and soul lies in teaching and educating kids. He even left India 's most lucrative government job IAS to pursue this dream. His latest assignment in a far-flung backward area brings him face to face with people and forces entrenched in dogma,superstition, ignorance and corruption. He sets about handling every hurdle with patience, perseverance and self- belief. Slowly by his conviction and consistency he is able to transform a village Primary school so radically that the school starts competing with the best private schools around. But some people who were swept out by this change hatch a conspiracy against him. How Ashish Kumar faces these new challenges and more importantly is he able to continue his path of spreading education and awareness is what the climax of the film reveals.
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.