A work in constant progress (and occasional regress).
Release Date:
September 15, 2011
Original Title:
The Day
Alternate Titles:
24h Para Sobreviver
Dan opsade
Dzien
El día
The Day - viimeinen taistelu
倖存日
Genres:
Action | Drama | Horror | Science Fiction
Production Companies:
Faction M
Follow Through Productions
Guy A. Danella Productions
Preferred Content
Production Countries:
United States of America
Ratings / Certifications:
CA: R DE: 18 GB: 18 NL: NR US: R
Runtime: 85
Open war against humanity rages. For five survivors – lost and on the run – the pursuit is relentless, the bullets are dwindling and the battle is everywhere. This is a 24-hour look into their lives.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Armorer:
Michel Mongrain
Art Direction:
Shane Boucher
Assistant Art Director:
Nina Bains
Sarah Potter
Assistant Camera:
Christopher Chung
Jean-Marc Saldini
Assistant Makeup Artist:
Indiana Allemang
Ashley Dawn Szabadi
Associate Producer:
Andre Coutu
Best Boy Electric:
Kate Derrick
Best Boy Grip:
Curtis Dickie
Boom Operator:
Mike Hickey
Chris Inwood
Camera Operator:
Joe Turner
Carpenter:
Ben Belanger
Casting:
Ilona Smyth
Concept Artist:
Summer Passmore
Construction Coordinator:
William Mood
Costume Design:
Candice Beuckx
Daily Electrics:
Josh Stafford
Stephanie Toonders
Daily Grip:
Caitlin Fortier
Phil Genest
Cody Johnson
Martin Malecek
Patrick Kaplin
Dialect Coach:
Sandy Corddry
Kate Hurman
Digital Compositor:
Barb Benoit
Gudrun Heinze
Jef Lonn
Brandon Rogers
Joel Skeete
Beau Parsons
Digital Conform Editor:
Kevin Downer
Digital Intermediate Colorist:
Chris Wallace
Digital Intermediate Editor:
Dave Muscat
Digital Intermediate Producer:
Peter Armstrong
Director:
Douglas Aarniokoski
Director of Photography:
Boris Mojsovski
Dolly Grip:
Felipe Rodriguez
Editor:
Andrew Coutts
Executive Producer:
Douglas Aarniokoski
Antonina Armato
Ross M. Dinerstein
Michael Finley
Tim James
First Assistant Accountant:
Michelle Berrigan
First Assistant Camera:
James Teevan
First Assistant Director:
Beau Ferris
Gaffer:
Andreas Borrel
Generator Operator:
Ron Muise
Grip:
Tom Reid
Key Costumer:
Marika Lapointe
Key Grip:
Felipe Rodriguez
Key Hair Stylist:
Kayla Manasseri
Key Makeup Artist:
Angie Mills
Location Manager:
Ryan Zedic
Music:
Rock Mafia
Online Editor:
Pietro Gallo
Painter:
Tonie St-Onge
Producer:
Guy Danella
Production Accountant:
Elizabeth Hagen
Production Assistant:
Danny McLeod
Production Coordinator:
Sarah Deline
Production Design:
Lisa Soper
Property Master:
Tim Winchester
Script Supervisor:
Matti Huhta
Second Assistant Director:
Aric Dupere
Second Unit Director of Photography:
Joe Turner
Set Decoration:
Garren Dunbar
Set Dresser:
Pascal Delorme
Paul Pellerin
Geoff Sangster
Set Propsman:
Karen Beanish
Sound Effects Editor:
Katie Halliday
Sound Re-Recording Mixer:
Rudy Michael
Stephen Traub
Sound Recordist:
Philip Stall
Special Effects Coordinator:
Marcus Rait
Special Effects Technician:
Ben Belanger
James Rait
Still Photographer:
Petr Maur
Stunt Coordinator:
Layton Morrison
Stunt Double:
Krista Bell
Larissa Stadnichuk
Supervising Sound Editor:
Mark Gingras
Third Assistant Director:
Jasmine Murray-Bergquist
Transportation Captain:
Jonathan Mariani
Unit Manager:
Ron Muise
Visual Effects Coordinator:
Beau Parsons
Visual Effects Producer:
Peter Denomme
Jon Campfens
Visual Effects Supervisor:
Evan Jacobs
Writer:
Luke Passmore
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.