A work in constant progress (and occasional regress).
Release Date:
January 1, 2021
Original Title:
Schweden - Europas Lockdown-Anomalie
Genres:
Documentary
Production Companies:
Daniel Seidel Filmproduktion
Eingeschenkt.TV
nuoviso
Production Countries:
Germany
Ratings / Certifications:
N/A
Runtime: 92
Oh how nice is Panama. However, it may be even nicer in Sweden. At least in winter 2020/21, when a small virus called SARS-CoV2 paralyzed the continent of Europe in particular. While in most countries the fight against the virus was announced with a wide variety of measures such as lockdown, compulsory masks and contact restrictions, which were also punishable by law, Sweden went a different way.
Director:
Daniel Seidel
Director of Photography:
Daniel Seidel
Editor:
Daniel Seidel
Producer:
Frank Höfer
Flavius Chindaswinth
Thomas Schenk
Daniel Seidel
Translator:
Daniel Seidel
Damian Hope
Norbert Fleischer
Anton Wandel
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.