A work in constant progress (and occasional regress).
Release Date:
December 1, 2020
Original Title:
Dieu n'est plus médecin
Genres:
Horror
Production Companies:
Chaocorp
Marabout Films
TVR
Tébéo
Tébésud
Production Countries:
France
Ratings / Certifications:
FR: 12
Runtime: 28
Emergency medicine intern Margaux can no longer stand it. During another very hectic and patient-filled shift, she forgets a homeless woman on a stretcher who then dies. Shocked Margaux has no choice but to continue working. But suddenly, her body starts sweating blood uncontrollably.
Assistant Editor:
Charlotte Bouché
Assistant Location Manager:
Valentin Le Coz
Boom Operator:
Maud Lafitte
Color Grading:
Pierre Bouchon
Serge Antony
Decorator:
Louis Boulan
Dialogue:
Noëllie Maugard
Director:
Marion Le Coroller
Director of Photography:
Sarah Boutin
Editor:
Jérôme Eltabet
Electrician:
Jérémie Fossoud
First Assistant Art Direction:
Pierre-Yves 'Pipo' Perot
First Assistant Camera:
Simon Feray
First Assistant Director:
Claudia Lopez Lucia
Foley:
Pierre-Albert Vivet
Gaffer:
Olivier Regent
Grip:
Clément Aubert
Key Costumer:
Galane Berclaz
Juliette Milon
Key Grip:
Eric Fodera
Key Makeup Artist:
Fanny Fallourd
Location Manager:
Céline Schweitzer
Sarah Violleau
Makeup Artist:
Morgane Ravalet
Music:
Zéphyr Perrier
Producer:
Alexandra Reveyrand-de Menthon
Production Design:
Catalina Labra Laymuns
Production Director:
Charles Meresse
Props:
Caroline Brenot
Prosthetic Makeup Artist:
David Scherer
Second Assistant Art Director:
Antoine Valente
Second Assistant Director:
Camille Barré
Sound Editor:
Pierre-Albert Vivet
Sound Engineer:
Bruno Auzet
Sound Mixer:
Frédéric Hamelin
Steadicam Operator:
Emmanuel Loiseaux
VFX Supervisor:
Hugues Namur
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.