A work in constant progress (and occasional regress).
Release Date:
August 13, 2016
Original Title:
the promise
Production Companies:
Emily Carr University of Art + Design
LNG Studios
Like Minded Media
ONF | NFB
Production Countries:
Canada
Ratings / Certifications:
N/A
Runtime: 5
"the promise" is a stereoscopic 3D film about two men travelling together, the romantic connection they share, and the sacrifices made to achieve personal fulfillment. Set in an open field, the two men dance, jumping from reality to dream, as they follow a path, a metaphor for structure in their pursuits, giving meaning to their struggles.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Assistant Editor:
Riley McMaster
Best Boy Grip:
Dustin Lange
Catering:
Renee Chan
Choreographer:
Nicolo Fonte
Colorist:
Dermot Shane
Digital Imaging Technician:
Stephen Emery
James Goodman
Director:
Jason Karman
Director of Photography:
Stirling Bancroft
Dolly Grip:
Rohit Ajitkumar
Editor:
Jason Karman
Epk Producer:
Julian Fok
Executive Producer:
Jason Karman
Leon Ng
First Assistant Camera:
Peter Planta
First Assistant Director:
Ingo Lou
Gaffer:
Pierre Oliver Cruz
Grip:
Tatiana Hopcraft
Emma Osmond
Key Hair Stylist:
Cheyenne Mabberley
Key Makeup Artist:
Cheyenne Mabberley
Line Producer:
Kathy Leung
Original Music Composer:
Stefan Smulovitz
Post Production Supervisor:
Sean Arden
Producer:
Robin Chan
Jason Karman
Sean Arden
Production Coordinator:
Ingo Lou
Second Assistant Camera:
Frankie Sharp
Sound Recordist:
Heraldo Abreu
Stereoscopic Coordinator:
Riley McMaster
Stereoscopic Editor:
Alonso Benavente
Stereoscopic Supervisor:
Sean Arden
Still Photographer:
Julian Fok
Title Designer:
James Glen
Video Report:
Tina Chen
Riley McMaster
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.