A work in constant progress (and occasional regress).
Release Date:
August 3, 2022
Original Title:
L'Année du requin
Genres:
Comedy | Drama | Horror
Production Companies:
Baxter Films
France 3 Cinéma
Les Films Velvet
The Jokers Films
Production Countries:
France
Ratings / Certifications:
DE: 16 FR: U|12 RU: 18+
Runtime: 87
A small coastal town in the south-west of France is on high alert after a surfer disappeared - Soon the incredible truth is revealed : a shark is prowling in the harbor.
Assistant Editor:
Léo Przybylski
Astrid Fontant
Assistant Production Manager:
Magalie Meunier
Assistant Unit Manager:
Nicolas Estampe
Associate Producer:
Dimitri Stephanides
Violaine Barbaroux
Gregory Chambet
Manuel Chiche
Marie Lecoq
Boom Operator:
Florent Castellani
Director:
Ludovic Boukherma
Zoran Boukherma
Director of Photography:
David Cailley
Electrician:
Edouard Alvernhe
First Assistant Camera:
Julien Raynaud
First Assistant Director:
Mikaël Gaudin
David Krespine
First Assistant Editor:
Vincent Rinaldi
Manon Metzger
Cécile Staes-Lacommère
Key Hair Stylist:
Marjolaine Vialle
Key Makeup Artist:
Chandes Flore
Makeup Effects:
Sandrine Denis
Music:
Amaury Chabauty
Producer:
Pierre-Louis Garnon
Frédéric Jouve
Production Accountant:
Nathalie Djian
Production Manager:
Thibault Mattei
Script Supervisor:
Marie Maurin
Second Assistant Director:
Camille Patrice
Second Assistant Sound:
Solenn Desfarges
Sound:
Rémi Chanaud
Sound Re-Recording Mixer:
Lionel Guenoun
Special Effects Supervisor:
Pascal Molina
Special Effects Technician:
Yann Pomarede
Standby Property Master:
Régis Marduel
Steadicam Operator:
Benoît Theunissen
Stunt Coordinator:
Emmanuel Lanzi
Unit Manager:
Pierre Lochardet
Visual Effects Supervisor:
Cédric Fayolle
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.