A work in constant progress (and occasional regress).
Release Date:
January 17, 1986
Original Title:
The Boy in Blue
Alternate Titles:
Chlapec v modrém
La race des champions
Genres:
Drama
Production Companies:
20th Century Fox
CBC
Regatta Productions
Téléfilm Canada
Production Countries:
Canada
Ratings / Certifications:
US: R
Runtime: 100
Ned Hanlan was Canada's most successful sculling champion at the turn of the 20th century. This dramatization of his life begins in his youth, when the wild young man is informally adopted by a gambler who promotes Ned on the sculling circuit, betting on the boy's rowing skills solely to make money off him. Later, a ruthless businessman named Knox takes over Ned's career, but when Ned realizes how dishonest Knox is, he finds another manager. Walter is an inventor and the first honest man Ned has dealt with in his career and, under Walter's guidance, Ned rises to great success in the sculling world.
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Assistant Costume Designer:
Renée April
Associate Producer:
Paulo De Oliveira
Boom Operator:
Peter Kelly
Camera Operator:
Andy Chmura
Carpenter:
Michel Brochu
Casting:
Valorie Massalas
Mike Fenton
Jane Feinberg
Construction Coordinator:
Rejean Brochu
Continuity:
France Lachapelle
Costume Design:
John Hay
Director:
Charles Jarrott
Director of Photography:
Pierre Mignot
Editor:
Rit Wallis
Executive Producer:
Steven North
First Assistant Director:
Jacques Méthé
Hairstylist:
Gaétan Noiseux
Key Grip:
Emmanuel Lepine
Key Hair Stylist:
Aldo Signoretti
Key Makeup Artist:
Brigitte McCaughry
Location Sound Recordist:
Dan Latour
Makeup Artist:
Maurizio Silvi
Music:
Roger Webb
Music Editor:
Carl Zittrer
Producer:
John Kemeny
Production Design:
William Beeton
Production Manager:
Stéphane Reichel
Second Assistant Director:
Madeleine Henrié
Set Decoration:
Jean-Baptiste Tard
Sound Re-Recording Mixer:
Don White
David Appleby
Supervising Sound Editor:
Martin Ashbee
Unit Publicist:
Prudence Emery
Writer:
Douglas Bowie
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.