A work in constant progress (and occasional regress).
Release Date:
April 26, 2022
Original Title:
365 dni: Ten dzień
Alternate Titles:
(365) Days: This Day
365 Dias: Hoje
365 Dieser Tag
365 Dni II
365 Dni: Ten Dzień
365 Jours - Au lendemain
365 Jours Au lendemain
365 Jours, Au lendemain
365 dní - ten deň
365 días: Aquel día
365 jours : Au lendemain
365天:今时之欲
365일 2
Genres:
Drama | Romance
Production Companies:
Ekipa
Open Mind Production
Production Countries:
Poland
Ratings / Certifications:
AR: +16 AT: 16 AU: R 18+ BG: D BR: 18 CA: R CH: 16 DE: 16 ES: 18 FI: K-16 FR: 16 GB: 18 HU: 16 IE: 18 IL: 16 IN: A JP: R18+ KR: 19 LT: N-16 LU: 16 LV: 16+ MX: C MY: 18SG NL: 16 NZ: R18 PH: R-16 PL: 16 PR: R PT: M/16 RO: 18 SG: R21 TR: 18+ UA: 16+ US: R VI: R ZA: 18
Runtime: 111
Laura and Massimo are back and hotter than ever. But the reunited couple's new beginning is complicated by Massimo’s family ties and a mysterious man who enters Laura’s life to win her heart and trust, at any cost.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Camera Car:
Krzysztof Szymański
Casting:
Tomasz Mandes
Choreographer:
Maciej Zakliczyński
Dialogue Editor:
Ewa Mazurkiewicz
Director:
Barbara Białowąs
Tomasz Mandes
Director of Photography:
Bartek Cierlica
Editor:
Marcin Drewnowski
Extras Casting Coordinator:
Leszek Wiśniewski
Makeup Designer:
Grzegorz Szczuka
Music:
Patryk Komór
Dominic Buczkowski-Wojtaszek
Novel:
Blanka Lipińska
Producer:
Ewa Lewandowska
Tomasz Mandes
Maciej Kawulski
Production Design:
Joanna Białousz
Set Decoration:
Joanna Białousz
Title Designer:
Maciej Mika
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.