A work in constant progress (and occasional regress).
Release Date:
September 2, 2022
Original Title:
Gigi & Nate
Alternate Titles:
Gigi and Nate
Джиджи и Нейт
Genres:
Drama
Production Companies:
Tempo Productions Limited
Production Countries:
Switzerland | United Kingdom | United States of America
Ratings / Certifications:
BR: 10 CH: 12 DE: 12 GB: 12 RO: 12 US: PG-13
Runtime: 114
A young man with a bright future suffers a near-fatal accident and recreates his new life with the help of an unlikely animal friend.
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Art Department Coordinator:
Rikki Longanecker
Assistant Chief Lighting Technician:
Christopher Warren
Casting:
Bryan Riley
Sheila Jaffe
Mitzi Corrigan
Cinematography:
Elliot Davis
Co-Producer:
Scott E. Anderson
Lauren Cox
Costume Design:
Annie Bloom
Costume Supervisor:
Jennifer Moran
Director:
Nick Hamm
Editor:
Alex Rodríguez
Executive Producer:
John Hamm
Nick Drew
Marie-Christine Jaeger-Firmenich
First Assistant Director:
Richard L. Fox
Foley Artist:
Peter Burgis
Franziska Treutler
Foley Mixer:
Albrecht Ihlenburg
Hair Department Head:
Audrey L. Anzures
Hairstylist:
Kerry Mendenhall
Health and Safety:
Kevin Huie
Makeup Artist:
Renee Goodwin
Makeup Department Head:
Kathleen Freeman
Post Production Supervisor:
Emma Zee
Producer:
Piers Tempest
René Besson
Nick Hamm
Production Assistant:
Benjamin J. Alexander
Production Design:
Marcia Hinds
Danielle Aziz
Second Assistant "A" Camera:
Mike Prior
Second Unit Director:
Scott E. Anderson
Set Decoration:
Rachel April
Set Designer:
Gordon Stotz
Travis Kerr
Sound Mixer:
Mark Weingarten
Sound Re-Recording Mixer:
Steve Single
Still Photographer:
Anne Marie Fox
Visual Effects Producer:
Tim Field
Visual Effects Supervisor:
Scott E. Anderson
Writer:
David Hudgins
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.